I was pleased to take part recently in my first interview (which
I quickly became enthusiastic about), as it was to be featured
on a blog that had to do with how one "lovingly brings artistic
workmanship and quality to the study of family history". I take
pride in the fact that I have been able to use my ample
imagination and artistic workmanship in the creation of my
virtual museum. So I thought of responding affirmatively -- with
no hesitation -- to the suggestion of Sarah Ashley, for an
interview for her blog. Sarah sent me written questions, and I
tried to thoughtfully answer them as best I could.
You can read the interview in its entirety below. Since you
probably are a subscriber to my blog [no longer active] and have
an interest in the Museum of Family History, you might like to
read the history of how the Museum came into being, as well as
some of my own personal history, motivations, ideas and
hopefully inspirational speech about how important it is to
honor and preserve not only our own family history, but history
in general -- as I've done with own museum, Jewish history. So
here goes. Your comments are always welcome! There were eight
questions posed by Sarah, which, as I said, I responded to in
written form:
Sarah: My mission is to explore and promote the intersection between
family history and artistic expression. I feel truly fortunate
to have discovered the Museum of Family History which is such a
wonderfully creative and dynamic way to honor Jewish families.
Can you tell my readers what inspired you to create the site,
and how you got started?
Steve:
There were many sources of inspiration that led me to create my
virtual museum. It was a part of an evolutionary process, a step
in my own “journey of self-discovery” – so to speak – as I
sought to find further meaning in my life. Although I chose to
become an optometrist as my life’s work more than thirty years
ago, I think there was always this latent desire for creativity,
language, for learning about Jewish history and culture that I
had suppressed for a number of years in order to become an
optometrist. I had done little with it until later in my life.
The road that led me to the creation of a museum of Jewish
history began when I left my job as an optometrist in Southern
California, choosing to go on my first trip abroad before
returning home to New York. I backpacked through Europe in
the early eighties and visited ten countries in ten weeks with a
RailPass and a backpack. Since
then my “wanderlust” has taken me to more than forty countries,
and I’ve had the opportunity to visit many of the wonderful art museums of
the world. I’ve seen history (and art) in all its glory, and
I studied
French, Spanish and art for brief periods of time in Paris
and Mexico. I saw so many layers of history that I had only read
about before. It was
amazing. My imagination was stimulated. Eventually I became an
amateur pastel portraitist back in New York, which further awoke
my “creative juices”. So this really was the early
“underpinning” to all that I have done to this point, which
ultimately led me to that desire to build a virtual museum.
I was also inspired by my love of family and close relatives, as
well the fondness I had for the positive memories of my youth. I
also wanted very much to keep Jewish history and culture alive,
which I feel is so important, as I have seen over the years how
the appreciation of Jewish history and culture has so
diminished, at least in my opinion. To me, the past should not
simply be relegated to the past, to the history books. It is
an essentially part of the mosaic that tells us and the world
who we are as a people. I want to do what I can to inspire
others, so they would think more about their own family history
and talk about their own family history with their children,
grandchildren et al, and in this way they would be honoring and
preserving the memory of their own family for the present and
hopefully future generations.
Earlier you asked how I got started with all of this. As I
recall, in November 2002 I was sitting in the den of the family
home watching television, when I happened to glance off to my
left, and I noticed that under my mother’s collection of old LPs
within her lamp table, there was one of those envelopes they
give you at a drug store when you pick up your developed photos and negatives.
Inside this envelope was a stack of old family photographs –
black and white photographs of my mother, grandparents, my
uncles and my aunts. These photos were yellowing a bit and were
curled up as photos are prone to do when they were taken more
than sixty years earlier. I asked my mother why they weren't
included in any of her other family albums, and of course she
couldn't tell me. It instantly occurred to me how precious these
photos were to me, and that I didn’t want them to
get lost or otherwise discarded. Imagine finding such old photos
of your dear family that you’ve never seen before after many
decades – I felt like
a kid in a candy store. So I then decided to put these curled-up
photos into a photo album, while at the same time fully
reorganizing our entire family photo collection.
Not long after this revelation I had this idea to create family
newsletters, or "journals", to be published as
hard copy on paper, about
sixteen to twenty-four pages long (double-sided), one version
for each side of my family, and then I would send them out on a
quarterly basis (in a clear report cover and slide-lock) for
about a year-and-a-half. This wasn’t one of your “typical”
family journals because they contained family photographs,
interviews with family members, historical articles (that I
wrote), and even a master calendar (with family birthdays) and a
Yahrzeit list (just so folks wouldn’t forget).
This idea of creating a family journal was a great one (in my
mind) for a number of reasons. In the course of
conducting my research I got to meet many of my relatives --
cousins whom I had never met before, whom I never would have met
if it wasn't for this
project), as well as to visit my dear cousins whom I hadn't seen
since I was a bar-mitzvah so many decades before. It’s funny if
not sad how often we see relatives when we are younger, but with
time and distance the chances of further meetings become less
frequent. We most often see them only at weddings, bar
mitzvahs or funerals.
It’s strange how these things work out, isn’t it? As I met with
everyone, I made sure I interviewed them (digital recorder in
hand), and with this I began to gather information about my own
family tree – and I heard stories about a number of my family members
that I never would have heard otherwise. Then I transcribed some
of them onto paper, for posterity and possible further use at a
later date.
Somewhere within that year-and-a-half of publishing my family
journal (I called “Family Circles”), I decided that it would be
wonderful if I could switch from paper journals to a website –
it would be easier I thought, once I learned the “ins-and-outs”
of how to create such a website, which I had never done before.
My first intent was to fill the website with information about
my family, ancestors et al, but due to a few expressed "privacy"
concerns, I chose to include only a small amount about my own
family and relatives -- mostly information about those who were
already deceased. Then I continued on with my research about
Jewish history in a general way, and I thought of many ways that I
could present my new website, who my audience would ultimately be,
what kind of online exhibitions people would like to see on my
site, etc.
Eventually – at the Las Vegas IAJGS (International Association
of Jewish Genealogical Societies) in the summer of 2005 I made
my presence felt – I would constantly pull many of the
conference attendees off to the side as they were heading down
the hallways, hopping left and right between lectures, and I
would show them what I had accomplished to date. I hoped that
they would support me in my efforts, would visit my website and
send me material that I could use on my site. After the
conference, I began, little by little, to make it known that I
was looking for folks to send me copies of old family
photographs, stories, etc. To date I've had many hundreds of
folks contribute material, which I'm grateful for. Then I
decided that I wanted to make the museum an interactive and
multimedia one, so I learned how to work with and edit audio and
video clips. And the rest is history (no
pun intended).
One of the purposes of my Museum is to encourage folks to become
active participants in the preservation of their own family’s
history. I feel that the more people who knew about my site and
who made a thorough “visit” to my Museum, more would hopefully get as
excited as I am about the possibility of preserving their own family
history, would feel that excitement that I do and
chose to get involved in some way. Honoring and preserving the memory of
one’s loved ones is a beautiful and blessed undertaking, and I
feel that it is well worth one’s time pursuing. Imagine all the
people who never had a chance to continue their own blood line,
let alone work to preserve their own family history. This is our
chance to leave a precious legacy … So there you have it in a
nutshell.
You’ve asked how I knew that I could do all this? As I’ve told
you, I like being creative – so that wasn’t the question. I
didn't know, however, that I could create such a big and fancy
website (which I learned "on the fly", without any previous
training) until I did it, but I felt that I could at least create a
"journal". You see, I was the editor of my optometry school
newspaper for more than a year. Before my editorship the school
“newspaper” was just two sides of one mimeographed sheet of
paper. When I left the editorship a year later, it won an award,
was self-sustaining (with paid advertising that I had begun to
secure during my “reign” as editor), and on average it contained
about sixteen pages of photos and articles, interviews, a master
calendar, etc. So I knew I could do that at least, so hopefully
by extension I could create a family journal, and then
eventually a website, an even greater challenge that I hoped I
would
succeed in. It was and still is my wish that all the work and
sacrifice I would put into all of this work would be appreciated
by all who took the time to read my journals and/or “visit” my
Museum.
Sarah: With so much to offer, you've aptly described a visit to the
Museum as a "personal journey". What are you hoping people
experience and take away from that journey?
Steve:
History is fascinating, isn’t it? When I was growing up and
attending public school, much of the study of history was
through rote
learning – memorizing dates and names and events, taking a test,
then moving on to the next subject. There was American History;
there was World History. We didn't study history holistically or
longitudinally, nor did we necessarily associate what was going
on in the world with what our ancestors had gone through during
a particular time or historical era. What made matters worse is that our
parents – especially our immigrant grandparents -- didn’t want
to talk
about their early lives or experiences, perhaps because of the
pain of the Holocaust, or simply the pain from being dislocated
from the family that they once lived with and loved. History wasn’t
personal when I studied it in school. We really didn't study
Jewish history -- yes, in Hebrew school a bit, but if I recall
correctly it was mostly a study of Biblical stories -- certainly
not about the Holocaust, or Jewish life in Europe, immigration,
Jewish life in America, etc. There was a wide dichotomy between
secular learning and Jewish learning.
I’ve digressed from your question. I always suggest to people
that the best way to learn about their own family's journey over
time is to learn about world history, and the best way to learn
about world history is to learn about their own family and their
life experiences during that time. I believe that when one of my
Museum "visitors" reads someone's personal story or hears an audio clip
of a story being told, or reads an article about a time in which
their ancestors lived, they'll hopefully ask themselves, "Could
my family members have experienced something like this?", or
"Where was my family during this time?", or "How could world
events have affected my own ancestors, personally and
otherwise"? It certainly doesn’t have to be a story about one’s
own family; we can also empathize. There really are so many
questions that we could ask ourselves, aren't there? I wish folks would
want to learn more about their parents, grandparents et al, and
to make connections with different times in the past so they
could meld that knowledge with what they know in the present to form a sort of nexus of knowledge
from one generation to the next.
I have a similar theory of relativity as Einstein (though I am
no Einstein!) To me, all time exists on the same plane, at least
figuratively. Have you ever sensed a familiar smell, heard a
particular sound, or returned to a certain place that evoked
such strong imagery in your mind that you "almost" felt that you
were "back there" again? Personally I have found that the more I
learn about the past, both in general and about my own family,
the more vivid the past seems to be to me, and it seems that the
temporal distance between then and now seems shorter. I feel in
a sense that I am back in the past once again (figuratively
speaking and employing my active imagination, of course). After
all, if the present is only a moment, everything else is the
past, and the future is what's to come and hasn’t happened yet.
Another theory I have is one that I personally did not come up with, i.e.
that people die twice: once when they physically pass away from
this world, the other when they are no longer talked about. So
the Museum of Family History gives folks the opportunity to keep
the memory of their family members alive, to talk in some way to
other family members about them, and in this way at least they
can
honor their memory. Not only that, but with what material that I put
online within my Museum can help them honor and preserve their
own family memories, and folks can share it with others throughout the
world, for free, 24/7.
As to why a virtual (Internet-only) museum, there are a number
of advantages. Firstly, unlike a physical museum, it can be open
all the time, so the limitations of such a space is not a problem. One
exhibition does not have to be removed at a specific time, taken down to make room for the
next. You also needn’t be in a specific geographical location to
pay the museum a visit. You can visit my museum at your
convenience, from the confines of your home. Also, importantly, such virtual museums are different
from a “brick and mortar” museum, in that most of us cannot honor our
family by hanging a family photo on an actual museum wall, or by making
a sound clip available of a family member for all who visit a
museum to hear. At the Museum of Family History, most everyone
can participate. Museums most often represent the best a culture
or society has to offer, so aren't our families the best?
I hope that my Museum stimulates imaginations and allows my
Museum "visitors" to travel back in their own past through their
own personal journey, to become unceasingly inquisitive, with a
constant thirst to learn more and to keep asking questions …
Sarah: Wandering through the museum, it is easy to get caught up in
the many personal stories of struggle and triumphs brought to
life with moving words and evocative sights and sounds. At the
risk of asking a question as impossible as picking a favorite
child, is there any one story or "exhibit" that particularly
moves you or that especially captures the "spirit" of the
museum?
Steve: You’re right, that’s a tough one. I suppose my favorite
stories are the ones that deal with the history of my own
family, e.g. the story I wrote about my life growing up and the
memories I have of my parents and
maternal grandparents in the fifties and sixties. I think it is
our own personal stories that most often are of greatest
interest to ourselves and affect us the most. The
story I have mentioned, that I wrote for my Museum of Family
History is, at its essence, a loving tribute to my parents
and grandparents as I remember them. It is a rare attempt on my
part to express on paper -- with what eloquence I could muster
-- some of my fondest memories of my youth. You can find this part of my
“memoir” at http://www.museumoffamilyhistory.com/lia-memories-slasky-01.htm,
if you’re interested.
How wonderful it is to be able to eloquently express
one’s unconditional love! If I can stimulate others to do the
same, it would be very rewarding to me and hopefully to them
too. So, yes, my grandparents are gone more than forty years now
(and my father nearly thirty), but I have not forget them, and
they are still talked about, at least by me.
Sarah: In addition to your ambitious work on behalf of Jewish
history, do you also research and document your own personal
family history? So many of my readers are family historians with
a passion for genealogical research. I'm sure they would love
hearing about your own quest (such as a particularly gratifying
breakthrough or discovery or something else learned along the
way).
Steve:
Alas, I haven't done much research in the last few years about
my own family. I have done some, but there are a
number of missing links between the branches of my family tree,
and since there are seemingly no records to clarify these
connections and no one left to help me link one family member to
another, solving this dilemma of my family tree is quite difficult. I’ve
really dedicated most of my efforts to helping other people
honor their own ancestors. Though I don’t do research for
others, if I have data that might help them in some way solve
their own mysteries, I send it to them pretty quickly.
Saying this, I must admit to you that I have mixed feelings
about genealogy per se. Too many people (at least many of those
I have met and communicated with over the years) strive to
collect names and dates of relatives, but even though the possibility
or opportunity exists, they don't even interview their own living
ancestors, nor do they feel that it's important to record their
own personal story in either a spoken or written testimony. Of course, there are many who strive to
learn more than names and dates, but my frustrations are not
with them.
As to one of my "quests" or "discoveries" that is especially
gratifying, it was the amount that I learned about my paternal
grandparents, who passed away in Brooklyn before I was born. My
paternal grandmother, Chaika (Ida), was really the breadwinner
in her family – there were six children, four boys and two
girls. Chaika did most of the work between her and her husband
Michal (who davened most of the day). She was the bread winner,
so to speak. They had a small tailoring
shop on Prospect Place in Brooklyn for a time, and Michal did a
little tailoring, or so I was told. I also discovered that it
was his job to cook herring and potatoes for the family for
Friday night dinners. Another cousin whom I had never met before
told me that she remembers that he used to like to collect matchbooks. I
was told that their marriage was probably an arranged one, he
being about fifteen years her senior. They had a baby girl in
Poland, he came to the U. S. through Ellis Island – I guess to
pave the way for Chaika and their daughter to arrive at a later date –
and so two years later in 1902 or so, they came to the U.S. the
same way.
Ida, seems often to have been a “contradiction”, so to speak.
For a period of time, she used to participate in "estate sales".
At times she’d been standing on a table, my father still in her
womb, conducting these sales. Years before this, she used to
make money with "I Carry Clothes", where she used to go around
New York City selling clothes that she carried on her back. As I’ve
said, she and my grandfather Michal had six children -- my
father was the youngest of six children, and he was fifteen
years junior to his oldest sister.
The Internet can be a wondrous means for discovering
information and can provide insights otherwise unobtainable. For example, a couple of years ago, on a lark, I
decided to search some old newspaper databases (the “Fulton
History” website) under my grandmother's name "Ida Lasky". Lo and
behold, I found an article about her in an April 1929 edition of
the Utica (N. Y.) Daily Press newspaper. Utica yet! The article
stated that she had a spot in a building on Elizabeth Street ("a
block from the Bowery in the fringe of Chinatown") where there
was a clothes exchange. The article sets the scene in part,
"Within a dingy room, dealers sit along a wide bench. The
collectors stream in with armfuls of worn garments for which
they have bargained dearly at apartment doors from Coney Island
to the Bronx ..." (One of those people these collectors sold to
was my grandmother, and she in turn would sell these used
clothes, etc., to others.) The upper floors of this building were
sublet to dealers who use them as sorting rooms ...”
Under a subheading, "Prosperous Queen Ida", the article
further states: "One woman, Ida Lasky, known to her intimates as
'Hiker' [sp] and to her colleagues as 'the Queen' is among New York's
2,000 collectors of old clothes ... and that when she goes out
on Sunday in her mink coat, and her fine sedan, her six children
-- three of them married -- are mighty proud of her ..."
Finally, the passage ends with this: "I bet you she's got $500 in
that stocking plant(?) now," exclaimed Max (who owned a
concession there), as she paused besides us. 'Ha,' she retorted,
dodging away with a laugh and lifting her skirt high enough to
display a wad of bills nestled against her kneecap. 'Five
hundred and eighty dollars'.”
So this is precious, isn’t it?? She was quite a character.
Here’s more … Chaika didn’t go to my father’s wedding because one
of my uncles (by marriage), whom she was mad at, was going to
attend the wedding so she refused to go, even though Michal
did. Also my aunt (one of my father’s sisters) told the story
that Chaika would go into bars, see a “bum”, go over to him and ask
him, “Why are you a bum?” She’d buy him dinner and a suit and
tell him or help him to get a job. “She was very charitable that
way”. So as I’ve said, a “contradiction” …
So there you have it. I never met my paternal grandparents, and
look how much I found out by interviewing cousins, researching
online newspaper archives, etc. The only thing I remember my
father ever saying about my grandmother Chaika was that she
slapped him across his head every time they walked together down
a flight of stairs from their Brooklyn apartment. Imagine knowing that little
about one’s grandmother for most of your life, then learning all
these anecdotes so much later in my life! I suppose this goes to prove that you
never know where you might find information about a family
member. One just has to try researching as many possible sources of
information as possible and hope for the best. Never assume that
a relative knows nothing about your family history. A little
luck is also a good thing ... I did know my maternal
grandparents, and I was blessed enough to have known them for
the first thirteen years of my life, before they passed away
about a year apart from each other. They were totally different
than my paternal grandparents, but they are another story …
Sarah: In your introduction to the museum you start with a wonderful
quote by Dale Carnegie about the enthusiastic pursuit of an
inspiring goal being a source of happiness. That's such apt
wisdom for budding family historians (and us old hands alike!).
It's also true that the long journey in pursuit of an ambitious
and worthy goal invariably has its hurdles, setbacks, and
sustained periods where it's natural to ask "am I getting
anywhere?". It's clear from the results, that the Museum of
Family History is a labor of love for you requiring a tremendous
amount of time and effort. How do you sustain your passion and
focus on such an all-encompassing project?
Steve:
I must admit that my website work is at times exhausting and
frustrating, but my dogged determination has seen me through
some tough moments. I suppose that at times I am more motivated
than at others. Sometimes I just have to keep pushing forward;
it pays to be a bit obsessive.
It isn't easy. Few people step forward to volunteer, who want to
help for the same reason that I do it, without receiving any
funding or contributions. I just think it
would be so much easier -- and I'd be able to grow the museum by
leaps and bounds -- if I could successful secure funding to pay
others to do what I can't do, either because of I haven't the
skill to do something or the time to do it. I certainly believe
that what I have done is unique, and my virtual museum would even more unique and more marvelous
if I had funding and/or volunteers to go beyond where I’ve gone
to this point, though I'm not too hopeful that enough
individuals, organizations or institutions know about my work,
or if they do will believe enough in me and my work to the point
of offering funding, etc.” And I am not a not-for-profit
organization, a 501(c)(3) or some such, but "Hope springs eternal”, or so they
say.
Saying that, I push on almost every day because everything I create, each project
and exhibition, has a certain meaning for me. For instance, for
the past two years much of my time has been spent translating
the Zalmen Zylbercweig opus, the "Lexicon of the Yiddish
Theatre", from Yiddish to English (though I can't speak or
really understand it for the most part when spoken to me). The
"Lexicon" contains more than 2,800 individual biographies
of Yiddish theatre personnel et al, as well as
histories of now-defunct theatre organizations. Such individual
biographies include Boris Thomashefsky, Aaron Lebedeff, Paul
Muni (who used to act in Yiddish theatre before becoming a
screen actor); playwrights such as Jacob Gordin, I.L. Peretz,
Sholem Asch and Sholem Aleichem. I have, mostly by myself,
translated more than three-quarters of all the histories in this
opus. Will it ever fully get translated? I don't know if I can
finish it. Without the funding to pay translators, the job may
very well remain unfinished. Zylbercweig's step-daughter has
been very gracious in helping me with this "labor of love", and
she has also given me dozens of reel-to-reel cassettes of her
parent's old 1949-1969 Yiddish-language radio program, which was
broadcast out of her parents' home studio, which they built in
the back of their Los Angeles home at their own expense. I had
them converted to a digital format and periodically I add a new
program to my "On the Air!" feature on my website. Just one of
my many beloved projects. Of course it would be nice if folks
would come forward to help me with my translations (as
volunteers), but as I've mentioned, volunteers are often
hard to come by.
I am also enamored with other special aspects of the museum,
e.g. my four “floor plans”, which indicate to the museum
“visitor” where most everything would be located in the museum, if it existed in real space. These rooms would be filled with
all sorts of interesting material and exhibitions, and there
would be building facades, e.g. of synagogues, schools, shops,
etc., which would be embedded with links to texts, audio and
video segments of Jewish life, culture, etc. I even "built" an outdoor music pavilion with a
seating plan. Currently “performing” at the Museum of Family
History is Al Jolson, who sings a few songs for the audience. I
even have created two virtual restaurants with wonderful,
mouth-watering, descriptive menus, for lunch, dessert and
dinner. One of my restaurants is called “Gut Essen
Delicatessen”. I have other menus too, and I’d like other folks
to send me in menus for five- or six-course dinners, based on
various themes or region of origin. I have many more ideas, of course.
Sarah: I'm very intrigued by the idea of a virtual museum for
organizing, displaying and sharing a family's history. I expect
that some of my readers may be inspired by your creation to take
their photos, videos, stories, research and other artifacts and
bring them on-line to become curators of their own multimedia
Museums of Family History. Do you have any advice for how to
start?
Steve: There are online sites where you can use their templates
to create your own website. How successful one can be will depend on
the amount of time and energy one puts into it, how one lays out
material onto pages, on one's artistic sense and imagination,
and how comfortable and savvy one can be on a computer. Of course, I would
like folks to consider putting material about their family on my
own museum website -- which would be easier on them and good for
my museum. They can always contact me at steve@museumoffamilyhistory.com
if they have any questions about this. Making a website
multimedia, i.e. filled with audio and video clips, is another
matter, but it is doable. It just depends on whether one can
dedicate the time and energy to learning how to do all of this.
Sarah: You offer the hope that the Museum will appeal to children as
well as adults and promote storytelling of family memories from
grandparents and parents to their children. This is so important
and something that I have a keen interest in promoting. What
other advice would you offer to parents who wish to inspire
their children to become more interested in family history?
Steve:
Often times I hear from parents or grandparents that their
children or grandchildren aren't interested in their own
personal history, so they really don’t bring it up, though others do. I
don' think this is a general rule, although it does happen. I
think that children would like to form greater connections with
their elders, and I think if their elders tell their stories in
loving terms, then there is a better chance of creating more of
an interest and curiosity within their progeny.
No matter what the age, people are attracted to beauty and
positive energy. Every parent and grandparent who feels they
know their children or grandchildren must find their own path to
telling stories, though as I say, doing it with love is the key.
It might not always work, but to me this a great way to build
intergenerational communication. One good exercise is to
interview a family member, preferably (with their permission)
recording the interview with a digital recorder, and then
transcribing it for posterity.
There is an art to conducting such interviews, and there are
websites that make some good suggestions on how to do so, i.e.
how to interview and conduct an "oral history". The American
Indians used to sit around the campfire, and the elders used to
pass down the story of the tribe this way. So why can we Jews
sit around the table during holidays such as Pesach and do the
same?
Sarah: Happily, the Museum which already consists of thousand of
images from the past, is a growing collection. What's ahead? Can
you share any upcoming exhibits or plans you may have for the
future of the Museum?
Steve: Oh, I have so many plans (if only I had the time, the
volunteers and some money) – having an active
imagination is both a curse and a blessing. It kills me, though,
that I haven’t been able to go forward in the way that I had
hoped, having such a vision for a three-dimensional, interactive
and multimedia Museum of Family History, which would stand high
on a hill, so to speak, as a model
of what imagination, creativity and the love of one's heritage
can do if only the means existed ...
Within my proposed three-dimensional museum of Jewish family
history, one of my goals is to create a three-dimensional map of
various pre-war, European towns where Jews once lived,
and to link translated excerpts of historical events from their Yizkor Book
(a book of remembrance) with locations
on the town map. This idea excites me and offers up the
possibility of creating a template for doing this for other
locations throughout the world where Jews (and others) once
lived.
I fervently would like to transform my entire Museum of Family
History website to a multimedia, interactive museum of
three-dimensions, but this perhaps is for another time or will
never come about. Nothing
like this has ever been done before, but unfortunately I haven't
the computer skills to do this and would need funding to pay
someone who knows how to do this.
As I often like to say, "Hope springs eternal".
Best,
Steve Lasky
https://www.museumoffamilyhistory.com
steve@museumoffamilyhistory.com
Please note that Steve Lasky is also the founder and director of the virtual Museum of the Yiddish Theatre, which can be found at https://www.moyt.org.