-
Richard Egli - “Povestea unei bănci
particulare” (Frank al V-lea) by
Friedrich Dürrenmatt, director Kincses Elemer – 2002, performed in
Yiddish with Romanian subtitles
-
Maiorul - “ Holiday Games” by Mihail
Sebastian, director Mihai Manolescu
- 2003
-
Lehman - “ Week-end în paradis” by
Franz Arnold and Ernst Bach,
directorMatei Alexandru - 2003
-
Micu Braun - “ Foc în Calea
Văcăreşti” by Dorel Dorian after I.
Peltz, director Bogdan Drăgulescu -
2005
-
Nebunul - “ Estera” musical by
Octavian Sava and Marius Ţeicu,
director Dominic Dembinski - 2005
-
Marusia - “ The Novel of a
Businessman” musical by Harry Eliad
after Sholem Aleichem – 2006, performed
in Yiddish with Romanian subtitles
-
Contele Mancini - “ He Who Gets
Slapped” by Leonid Andreyev,
director Kincses Elemer - 2006
-
Chaim - “ Wedding and Divorce”
musical, from Sholem Aleichem,
director Dan Tudor - 2008 performed
in Yiddish with Romanian subtitles
-
Nathan - “Nathan The Wise” by G. E.
Lessing, director Grigore Gonţa –
2007, performed in German, English,
Arabic Romanian
-
Peţitorul and Judecătorul - “
Ghimpl Netotul” by Isaac Basevis
Singer, director Moshe Yassur –
2006, performed in Yiddish with
Romanian subtitles
-
Barbu Bănescu - “Carre de aşi cu
valet”, by I. Valjan, director
Harry Eliad – 2007, performed in
Romanian
-
Rabinul Remuşcare Scrumbie - “ The
King of Schnorers” by Israel
Zangwill, director Dan Tudor – 2008,
performed in Romanian
-
Mordy- “ Three Sisters on Hope
Street” by Diane Samuels and Tracy
Ann Oberman, director Grigore Gonţa
- 2008
-
Beiriş Visoker and The Circus
Director - "The Magician of Lublin”
by Isaac Bashevis Singer, director Cătălina
Buzoianu – 2008, performed in
Yiddish with Romanian subtitles
-
Leimach - “Wise Men of Chelm“ by M.
Gherşenzon, director Dan Tudor –
2009, performed in Yiddish with
Romanian subtitles
-
Gordon – "Key for Two” by John
Chapman and Dave Freeman, director
Dan Tudor – 18.12.2010, performed
in Romanian
-
Duvid Gurkiher – "Yiches” by Sholem
Asch – director Andrei Munteanu –
2011, performed in Yiddish with
Romanian subtitles
-
Lenglumé – "L’affaire de la Rue
Lourcine“ by Eugène Labiche,
director Dan Tudor – 2011, performed
in Romanian
C. has
acted on non-Yiddish stages, such as:
-
Theatre Bulandra - “ Scandal la
Palermo”, after Carlo Goldoni,
director: Cătălina Buzoianu (1997)
-
ARCUB - François - “Puşlamaua” by
Pierre Chesnot, director George
Motoi (2007)
-
Teatrul Valah Giurgiu - Pampon -
“D'ale carnavalului” by Ion Luca
Caragiale, director Dan Tudor (2009)
C. has
participated in various films, such as:
-
“Dacii”, director: Sergiu Nicolaescu
- 1967
-
“Mihai Viteazu”, director: Sergiu
Nicolaescu - 1971
-
“Secretul lui Nemesis”, director:
Geo Saizescu - 1985
-
“Harababura”,
director: Geo Saizescu - 1990
-
“A doua cădere a Constantinopolului”,
director: Mircea Mureşan - 1994
C. has
been part of various theatre tours:
-
2009 and 2011 at the Montreal
International Theatre Festival,
Canada
-
2010 Nine Gates Festival of
Czech-German-Jewish culture, Prague
Theatre critiques about his theatre
performances:
About “Nathan The Wise”:
“Cornel Ciucă, Mihai Ciucă and Marius
Călugăriţa (...) performs with talent in
difficult roles, as exponents of three
cultures (from Andrei Băleanu, Deutsche
Welle, 2008).
‘’The audience is seduced by Mihai
Ciuca’s entries on stage. He is the
nice, good, credulous (or maybe
intentionally naive) Mordy (…), (by
Natalia Stancu, The Jewish Reality, 2009
about ‘’Three Sisters on Hope Street’’.
‘’The success of the performance
replenishes through the notable showing
of Miihai Ciucă.‘’(by Natalia Stancu,
the Jewish Reality, 2010, about ‘’The
Magician of Lublin’’. |
"Both
lovers, loving special rituals and being satisfied
by their erotic fantasies. Both passionate by
sadomasochistic pleasures. Gordon, performed by Mihai
Ciucă, the publicity agent who gives to his
mistress eggs until satiety (from the hen at his
farm) seems to belong, as an animalistic archetype
(ancestral sau imaginary) by the world of flying.
He is spoiled with appellations like “chick”, “
duck “ or ”cock”. He is sweet, airy, hustler, easy
to fool, much too confident in the sinner. “ (by
Natalia Stancu, The Jewish Reality, about ‘’How to
Seduce Women’’)
“The stage director Dan Tudor succeeds another
performance as expert in comedy, with great actors,
passionate in a dynamic spontaneous acting. The
experienced Mihai Ciucă (Gordon) offers a true
recital (…) (by Mircea M. Ionescu, about ’’How to
Seduce Women’’)
“The atmosphere stimulates the color, the poetry
and the humor of the actors’ performing. (…)
Remarkably created by Mihai Ciuca, Linda’s
husband is the unprofitable investor, always bustling, always on drifting sands. (…) (by Natalia Stancu, The Jewish Reality, about “How to
Seduce
Women’’)
In “Wise Men of Chelm “:
(…) Characters
create a beautiful ‘’choir " canceling identity,
unifying the reactions, mechanizing gestures. All of
them (Mihai Ciucă (…) are moving from interaction to
a nervous choreographed dynamic, from mime to dance,
from reply to musical expression. (…) (by Natalia
Stancu, The Jewish Reality, 2011)
“Amusing and bubbly -by his acting that insists on
automatisms and clownish effects is Mihai Ciucă
(...) ” (Natalia Stancu, The Jewish Reality, about
Yiches, 2012 )
‘’Through the contrast of rhythm and sonic evolves
Mihai Ciucă (Lenglume), who wakes up heavily from
his sleep wonders how did he arrive in his own
house, lingeringly groping in the dark after more
others puzzles, more alarming. (by Natalia Stancu,
The Jewish Reality, 2012, about ‘’L’affaire de la
Rue Lourcine’’)
Sh. E. and Sh. E. from Edith Negulici. |