violin. Later he became
a prompter in Princess variety, where he also acted
in roles and wrote sketches. Sidney and Bertha Hart,
who directed at the Thalia Music Hall in New York,
engaged him as an actor and sketch writer, but
after a short time S. went back to the Princess
variety in Philadelphia, and from there he went with
them to Cleveland, where he wrote sketches and also
entire plays for them.
So in 1913 in
Cleveland's Yiddish theatre (with Sidney and Bertha
Hart in the main roles), there was staged S.'s "4
fun der unterveld (Four from the Underworld)," and in the same year the
same troupe staged in Montreal his tseyt
plays, "Mendl beilis" and "Di galeree fun
farshvundene mener."
In 1914 with Mae Simon
in the main role, there was staged in New York's
Plaza Theatre S.'s play "Shvester un bruder
(Sister and Brother)," and the same play on 3
April 1917 was staged by Max Rosenthal in Bessie
Thomashefsky's People's Theatre, under the name "Di
eybike zind, a lebensbild in 4 acts,"
and on 24 November 1922, under the direction of L.
Kramer in the Hopkinson Theatre, under the name "Vu
zaynen mayne eltern (Where are my Parents)?"
From Cleveland, S.
traveled back to Philadelphia to vaudeville in the
Princess Theatre. Here, through Mike
Thomashefsky, he was engaged in the Arch Street Theatre,
where he debuted in the role of an English "solfidzhen"
[police agent] in Gasvirt's Yiddish translation of
the English play "Within the Law," and he wrote
lyrics for a play of Dr. Hornstein. From here he
went to New York to the Atlas' Metropolitan Vaudeville
Theatre, then he acted with Fannie Reinhardt in
Boston and thereafter became engaged as an actor and
playwright for Harlem's Lenox Theatre in New York
(Directors -- Nathan Goldberg and Jacob Jacobs),
where there was staged his play "Darf a meydl
dertseyln," which later was performed under the
name "Vu zaynen mayne kinder (Where are my
Children)?," and in a year later it was brought
to Europe,
without the knowledge of the author,
where it had a great success on the Yiddish stages
there, and also without the knowledge of the author,
there anonymously was published [Vu zaynen mayne
kinder?!!, a melodrama in 4 acts, edited by Reuben
Mandelbaum (Marsalow), publisher Sh. Goldfarb,
Warsaw, 1926], "Kegn geburt," (together with N. Rakow), "Raykhe oreme leyt," "A meydls hofnung,"
which on 11 October 1918 was staged through Isidore
Lillian in the Lyric Theatre under the name "Di
makht fun oremkeyt," and "Di farkoyfte kale,"
which later was performed through Leon Blank under
the name "Der shiker (The Drunkard)."
During the production of
the last play, S. fell off the stage, his leg became
infected, and he had to be taken away for a time to a
hospital.
On 31 December 1917
there was staged by David Kessler (in the role of
"Simon Rozman") S.'s "Der maskirter,
an American
lebensbild in 4 acts," which became staged on
14 December 1917 by Z. Weintraub in the Liberty
Theatre under the name "Libe un rakhe," and
on 19 March 1926 by Joseph Shoengold in the Lyric
Theatre under the name "Vayber un gelibte."
In the same year (1917),
also in the Lenox Theatre, there was staged S.'s "Farheyrate
shklafn," and on 30 August 1918, by Nathan
Goldberg "Biznes un plezhur (Business and
Pleasure)," which was performed on 12 November
1920 in the Lyric Theatre under the name "Farlazngt
a vayb."
On 7 December 1918 there
was staged by A. Lillian at the Lyric Theatre S.'s "Shalom,"
a sensational time drama in 4 acts," which was
simultaneously staged by Nathan Goldberg in the
Lenox Theatre.
On 3 January 1919 at the
People's Theatre under the direction of David
Kessler, there was staged "Di froy in ir heym,
in 4 acts," by Louis Barkin and William Siegel,
music -- Herman Wohl."
In April 1919 there was
staged at the Liberty Theatre by Sam. Rosenstein
S.'s "Di kraft fun gevisn, a melodrama in 4
acts," which was staged by Nathan Goldberg in the
Lenox Theatre on 29 August 1919.
On 8 October 1919 in the
People's Theatre, there was staged "Tserisene
neshomes (The Shattered Souls), a melodrama in 4 acts by Kalmanowitz
and Siegel, music --- Fridsell."
On 5 November 1920, in
the Lenox Theatre, there was staged by Nathan
Goldberg -- S.'s melodrama "Dos khupe kleyd (The
Wedding Gown)," which was simultaneously
performed by Joseph Kessler in Chicago, and on 4
March 1921, in an altered form (with music by Joseph
Rumshinsky), in the Second Avenue Theatre.
The play also later,
through a legal matter, was brought onto the Yiddish
stage in Europe, where it was performed with great
success, and also there, without the knowledge
of the author, it was published [William Siegel. Dos khupe kleyd, a melodrama in 3 acts, publisher Sh.
Goldfarb, Warsaw, 1926.]
Due to illness, S. had
to withdraw from acting on the stage, and he took up
exclusively with writing plays.
In December 1920 (with
Rosetta Cohn in the title role) there was staged in
Canada S.'s "Di grine kale," which on 14
January 1921 was performed in Brooklyn's Liberty
Theatre. The same play, in a slightly altered form,
on 21 February 1928 was staged in the same
Liberty Theatre by Menasha Skulnik, under the name "Der
groyser fardiner," and since then was performed
by him also under the name of "Fishel der
gerotener."
On 2 February 1921 in
the Lenox Theatre, there was staged by Nathan
Goldberg S.'s "Shmendrik oyf brodvey (Schmendrik
on Broadway)," which on 12 October 1921 was staged by Samuel Rosenstein in Kessler's Second
Avenue Theatre under the name "Hello Shmendrik,
a musical comedy in 3 acts by William Siegel, music
by Joseph Rumshinsky," and at the same time by
Jacob Mestel, in Philadelphia's Arch Street Theatre.
On 16 September 1921 in
the Lenox Theatre, there was staged S.'s melodrama "Meydelkh
on a heym"; on 13 April 1922, through Nathan
Goldberg -- "Dem rbins almnh", which on 11
September 1923 was staged at Kessler's Second Avenue
Theatre, under the name of "Di amerikaner
rebitzin, libretto by William Siegel, music --
Joseph Rumshinsky, director -- M. Michalesko". On
17 April 1922 -- the melodrama "A kind fun der
gas (A Child of the Street)".
On 23 September 1922 in
the People's Theatre there was staged "Gots mishpet,
a comedy-drama in 3 acts with a prologue and
epilogue by Kalmanowitz and Siegel", which in 1923
was staged by Leon Blank (in the title role), under
the name "Der vatshman (The Watchman)", and
remained year-long in Blank's repertoire. The same
play, without the knowledge of the author, by Julius
Adler, was brought to Europe and there it was
performed through him, under the name of "Der vekhter".
On 23 September 1922 in
the Lenox Theatre there was staged by Nathan
Goldberg "A heym far a mame (A Home for a Mother),
a melodrama in 4 acts by Wm. Siegel and H.
Kalmanowitz". On 27 October 1922 -- "Reyzele fun
tsheyniton (Rayzele from Chinatown)", music --
Arnold Perlmutter", which on 25 December 1928 was
performed in the Lyric Theatre with music by
Benjamin Blank, and in 1929 in Warsaw under the name
"Reyzele fun yapan". And on 28 December 1922
-- "Fargesene mames (Forgotten Mothers), a
drama by Wm. Siegel and Sh. Steinberg", which on 23
March 1930 was performed in the Rolland Theatre
(music -- Sholom Secunda) by Misha and Lucy German,
and on 9 February 1923 under the name "Gekoyfte
kinder" (music -- Perlmutter and Broyde), by
Sara Adler, in the People's Theatre.
On 9 March 1923 in the
People's Theatre, under the direction of Max
Rosenthal, there was staged S.'s "Mayn vayb
shtraykt, music -- Fa?s, in 3 acts with a
prologue, music -- Joseph Broyde. On 31 August 1923,
in the Lenox Theatre -- "Rukhele mekarty"
(music -- A. Perlmutter); on 3 September 1923, by
Nathan Goldberg -- "Zayn fargesene gelibte, a
comedy-drama in 4 acts" (music -- Sholom
Secunda), and on 9 November 1923 -- the operetta "Di
amerikaner grinhorns (The American Greenhorns)"
(music -- A. Perlmutter), which on 30 March 1926 was
performed in the Lyric Theatre under the name "A
gast tsum seder".
On 11 April 1924 in the
same theatre, there was staged S.'s "Farloyrene
libe", on 23 April 1924 (with Rosa Goldberg in
the main role), "Mames un zeyd", which on 29
September 1924 was staged in the same theatre under
the name "Hayntige meydelkh" (music -- A.
Olshanetsky) and under the same name (with music by
Herman Wohl), performed on 24 December 1924 in
Gabel's People's Theatre, under the direction of Max
Gabel (with Jennie Goldstein in the main role).
The play, through a
legal matter, was brought to Europe, where it was
performed on the stage there, and also there,
without the knowledge of the author, it was
published [William Siegel, Hayntige meydlekh, a
melodrama in 3 acts, publisher Sh.Goldfarb, Warsaw,
1926].
On 13 January 1925 in
the Lenox Theatre, there was staged S.'s comedy "Yosel
der bolshevik (Yosel the Bolshevik)" (music --
Secunda and Olshanetsky), with Jacob Jacobs in the
title role. The same play on 2 December 1929 was
staged in the National Theatre under the name "Der
sukhr fun hester street (The Merchant of Hester
Street)", and the next day under the name "Der
varshaver landsman (The Warsaw Landsman)", with
Yitzhak Feld in the title role.
On 6 February 1925 in
the Lenox Theatre there was staged by Nathan
Goldberg -- "Der tsigeyner prints, libretto
by Wm. Siegel, music -- Olshanetsky", which in 1928
(with music by Mordechai Hochberg) was performed in
Argentina, and on 17 September 1925, through Samuel
Rosenstein -- "Shlekhte khaveyrim (Bad
Companions), a melodrama
by Wm. Siegel and H. Kalmanowitz, music -- Joseph
Cherniavsky", which on 9 March 1926 was staged by
Nathan Goldberg in the Grand Theatre under the name
"Shlekhte khaveyrim, by William Siegel, music -- Sholom
Secunda". In June 1928 it was performed through J.
Shoengold and Menasha Skulnik in Argentina's
Yiddish theatre, and in the same year through
Tsimbalist's troupe in Poland, under the name "Tsvey
khaveyrim".
On 2 February 1926 in
the Grand Theatre there was staged through Nathan
Goldberg S.'s "Yetoymim fun der gas (Orphans of
the Street)" (Music -- Sholom Secunda), which
was performed in an altered form on 20 December 1929
in Kessler's Second Avenue Theatre, with Molly Picon
in the title role, under the name "Dos freylekhe
yetoymele", libretto by William Siegel, lyrics
by L. Gilrod and Molly Picon, music -- Joseph
Rumshinsky, dance arrangements -- Charley Adler,
director -- Jacob Kalich"; 15 October 1926, in the
Lenox Theatre there was staged through Nathan
Goldberg -- "Der letster moment (The Last Moment)"
(music -- Sholom Secunda); on 3 December 1926, in
the National Theatre, there was staged through
Samuel Goldenburg -- "In gortn fun libe,
libretto by William Siegel and H. Kalmanowitz,
lyrics -- Jacob Jacobs, music -- A. Olshanetsky."
On 21 January 1927 in
the Liberty Theatre, there was staged "Vayb un
gelibte, in 3 acts, by Anshel Schorr and William
Siegel, music -- Herman Wohl", which in 1928 was
performed by Dora Weissman in Europe; on 27
September 1927, in the Prospect Theatre, there was
staged by Nathan Goldberg -- "Kinder fun der
untervelt (Children of the Underworld)", which
in Philadelphia was performed under the name "Dem
gengsters mame (The Gangster's Mother)"; on 27
September 1927, in the National Theatre, by A.
Lebedeff -- "A nakht in kalifornye (A Night in
California), libretto by William Siegel, lyrics
-- Jacob Jacobs, music -- A. Olshanetsky". On 25
November 1927, in the Liberty Theatre (with Dora
Weissman in the main role), there was staged by
Anshel Schorr -- "Farvos meydlekh antloyfn fun
der heym, by Wm. Siegel and Anshel Schorr", and
on 30 December 1927, in the National Theatre,
through A. Lebedeff -- "A gn-edn far tsvey
(A Paradise for Two), by William Siegel and
Joseph Lateiner, lyrics -- Jacob Jacobs, music -- A.
Olshanetsky", which in 1929 was staged by Joseph
Kessler in London and through Joseph Shoengold in
Argentina.
On 10 January 1928 in
the Liberty Theatre there was staged by Anshel
Schorr (with Dora Weissman and William Schwartz in
the main roles, S.'s operetta "Ven libe ruft
(When Love Calls)" (music -- Sholom Secunda); on
20 January 1928, in the Public Theatre -- "Dem
rebins zundele (The Rabbi's Sons), Chasidic
libes-shpiel, libretto -- William Siegel, lyrics
-- N. Stutchkoff, music -- Herman Wohl, director --
Ludwig Satz and Samuel Rosenstein", which was
performed for a long time; on 10 February 1928 in
the Prospect Theatre -- "Nokh halbe nakht"
(music -- Arnold Perlmutter), which on 9 March 1928
was performed in the Liberty Theatre (with Dora
Weissman and William Schwartz) under the name "Nakht-feygelen"
(music -- Sholom Secunda). On 28 November 1928 it
was staged in Gabel's People's Theatre, through Max
Gabel under the name of "Froyen fun der nakht
(Women of the Night)" (with Jennie Goldstein in
the man role), and under the same name it was
performed in 1929 through Berta Gutentag in
Argentina, and on 2 March 1928, in the National
Theatre (with S. Goldenburg and Stella Adler) -- "Zindike
libe" [adaptation of S.'s play "Der maskirter"].
In March 1928 in
Philadelphia there was performed in S.'s adaptation
"Der prints fun strobery menshon (The Prince of
Strawberry Mansion)" by Rivkin.
In 1928 in Philadelphia
there was also staged S.'s play, "Yedn meydls
khlum", which on 15 September 1928 was staged in
Gabel's People's Theatre under the name "Dem
khazans tokhter (The Cantor's Daughter), by Wm.
Siegel, settings by Max Gabel" (with Jennie
Goldstein in the title role). The same play under
the direction of S. Auerbach was staged on 19 April
1930 in the Lyric Theatre under the name "Ire
goldene teg".
On 15 September 1923 in
the National Theatre under the direction of Aaron
Lebedeff, there was staged "Goldene teg, an
operetta by William Siegel, lyrics -- Jacob Jacobs,
music -- A. Olshanetsky".
In 1928 after there was
staged S.'s play "Ven a mame libt", which in
October 1928 was staged in the Public Theatre by
Leon Blank under the name "Di kraft fun yungt,
a lebnsbild by William Siegel, music --
Herman Wohl", and on 29 November 1928, in the Public
Theatre under the direction of Ludwig Satz -- "A
galitsianer khasene (A Galician Wedding),
libretto by William Siegel, lyrics -- Boris
Rosenthal, music -- Herman Wohl", which was
performed for a long time.
In the 1928-29 season in
Philadelphia's Arch Street Theatre (with Berta
Gerstin), there was performed S.'s play "Neshomes
tsu farkoyfn", which on 21 February 1929 was
staged in the Rolland Theatre through M. Michalesko
under the name "Hertser fargesn nit (The Heart
Doesn't Forget)" (music -- Sholom Secunda).
On 5 April 1929 in the Public Theatre, there was
staged "Di seder-nakht (The Seder Night),
libretto of William Siegel, lyrics -- Boris
Rosenthal, music -- Herman Wohl, director -- Ludwig
Satz", which in the 1931-32 season was staged (with
Sam Kestin in the title role) in Philadelphia's Arch
Street Theatre, under the name of "Der freylekher
zeyde", and in the 1932-33 season, it was
performed through Menasha Skulnik in the Hopkinson
Theatre, under the name "Der galitsianer zeyde".
On 30 August 1929 in the
Prospect Theatre there was staged "Far 1 minut
glik, a melodrama by William Siegel", lyrics --
Jacob Jacobs, music -- Philip Laskowsky, director --
Nathan Goldberg"; on 27 November 1929, in the
Rolland
Theatre (with Lucy German in the title role) -- "Katyas
khasene (Katya's Wedding), libretto by William
Siegel, lyrics -- Israel Rosenberg, music -- Sholom
Secunda, director -- Misha German", which was
performed for a long time, and on 24 December 1929,
in the Prospect Theatre (with William Schwartz in
the title role) - "Kenigin fun mayn harts,
libretto by William Siegel, lyrics -- Louis Gilrod,
music -- Philip Laskowsky, dance -- Vladimir Krasnov,
director -- Nathan Goldberg".
On 7 March 1930, in the
Second Avenue Theatre -- "Di komedye, a
biogrpahical shtik of Molly Picon's
life, libretto by Joseph Lateiner, adapted by
William Siegel, lyrics by Molly Picon and Harry
Levine, music -- Joseph Rumshinsky, director --
Jacob Kalich"; on 18 April 1930, in the Rolland
Theatre (with Julius and Anna Nathanson in the main
roles), the operetta "Graf Yosl (Count Yosl)"
(music arranged by Tantsman and Ostrowsky).
On 23 September 1930, in
the Rolland Theatre, there was staged "Zise
momentn, an operetta in 3 acts by William Siegel
and Louis Freiman, music -- Sh. Secunda".
On 23 September 1930, in
the National Theatre, through Aaron Lebedeff (with
Lebedeff and blank in the main roles) -- the
operetta "A khasene in shtetl (A Wedding in Town)"
(music -- Herman Wohl), which in 1931 was brought to
Europe by Yitzhak Feld.
On 27 February 1931, in
the National Theatre, there was staged by Aron
Lebedeff (with Lebedeff and Blank in the main roles)
-- the operetta "A nakht in vald (A Night in the
Woods)" (music -- Herman Wohl); on 7 September
1931, in the Prospect Theatre, by Nathan Goldberg --
"Heyntike yugnt (Today's Youth)";
simultaneously in Philadelphia's Arch Street Theatre
it was performed under the name "Darf men hobn
kinder (Should People Have Children)?", and on
18 November 1932 it was staged by Michal
Michalesko in the Rolland Theatre under the name "Der
dank fun kinder (Children's Gratitude)"; on 12
September 1931, in the National Theatre, by Aron
Lebedeff (with Lebedeff and Blank in the main roles)
-- the operetta "Di gliklkehe nakht" (music -- Herman Wohl), and on 18 December 1931, in
the Prospect Theatre, by Jacob Jacobs -- "Der
galitsianer shlumiel, a musical comedy in 2 acts
and 4 scenes by William Siegel, lyrics -- Jacob
Jacobs, music -- Yasha Kreitzberg."
On 4 March 1932, in the
National Theatre, there was staged by Aron Lebedeff
(with Lebedeff and Blank in the main roles) -- the
operetta "Raykhe kabtsonim" (music -- Herman
Wohl); on 1 October 1932, in the National Theatre
(with Isa Kramer in the main role) -- "Dos lid
fun der geto (The Song of the Ghetto), an
operetta in 2 acts by William Siegel, music -- A.
Olshanetsky". And on 11 October 1932, in the
Komins(sp) Theatre in Philadelphia, by Joseph
Shoengold -- "Foyrnishd apartment (Furnished
Apartment)" (music -- Benjamin Blank).
S.'s printed plays in
Yiddish:
[1]
[anonymous] -- Vu zaynen mayne kinder?!!, a melodrama
in four acts. Edited by Reuben Mandelbaum (Marsalov).
Publisher Sh. Goldfarb, Warsaw, 1926 [50 pp., 16°].
[2]
William Siegel, Dos khupe kleyd, a melodrama in 3
acts, publisher Sh. Goldfarb, Warsaw 1926 [48 pp.,
16°].
[3]
William Siegel, Hayntige meydlekh, a melodrama in 3
acts, publisher Sh. Goldfarb, Warsaw, 1926 [48 pp.,
16°].
Sh. E. and Sh.
E. from Sara Kindman.
-
B. Gorin --
"History of Yiddish Theatre", Vol. II, pp. 270,
281.
-
Moishe Nadir -- "Mayne
hent hobn fargesen dos blut", pp. 171-172.
-
D. B. [Sh.
Yanovsky] -- In theater, "Fraye arbayter shtime",
N. Y., 28 April 1917.
-
Hillel Rogoff --
"Fargesene mames", "Forward", N. Y., 26 January
1923.
-
A drazhner [Vohliner]
-- "Rukhl'e mekartey, "Tog", N. Y., 14 September
1923.
-
Y. A. -- Di
amerikaner rebetsin, "tog", N. Y., 14 September
1923.
-
L. Feinberg --
"Di amerikaner rebetsin" in kesler's theater, "Yidishes
tagblat", N. Y., 14 September 1923.
-
[--] -- Di
muradike teg fun idishn theater, "Forward", N.
Y., 21 September 1923.
-
Spera -- "Di
amerikaner rebetsin", "Frayhayt", N. Y., 21
September 1923.
-
Hillel Rogoff --
Leon blank in "vatshman", "Forward", N. Y., 17
October 1923.
-
Israel the Yankee
[Fridman] -- Leon blank in "der vatshman", "Yidishes
tagblat", N. Y., 19 October 1923.
-
Hillel Rogoff --
"Di amerikaner grinhornes" in lenoks theater,
"Forward", N. Y., 16 November 1923.
-
Elesbi -- Vilyam
sigel, a fehiger theatral, "Yidishes tagblat",
N. Y., 3 October 1924.
-
Israel the Yankee
-- "Hayntike meydlekh", "Yidishes tagblat", N.
Y., 17 October 1924.
-
L. Krishtal -- In
gebil's teater, "Fraye arbayter shtime", N. Y.,
2 January 1925.
-
L. Kesner --
Kunst in oykh kinst, "Yidishes tagblat", N. Y.,
4 January 1925.
-
B. Y. Goldstein
-- Di naye operete "der tsigeyger prints" in
lenoks teater" "Der tog", N. Y., 13 February
1925.
-
Israel the Yankee
-- "Der tsigeyner prints" i lenoks, "Yidishes
tagblat", N. Y., 15 February 1925.
-
HIllel Rogoff --
In grend teater, "Forward", N. Y., 11 September
1925.
-
Hillel Rogoff --
"Der tsigeyner prints" in grend teater,
"Forward", N. Y., 13 November 1925.
-
A. Frumkin -- "Shoyshpilerr
un piesen in lenoks teater, "Tog", N. Y., 29
October 1926.
-
[--] -- Do un
dort in teater, "Morning Journal", N. Y., 3
December 1926.
-
Ab. Cahan -- Di
naye operete in neshonal teater, "Forward", N.
Y., 8 December 1926.
-
A. Glantz -- "In
garten fun liebe", di naye operete vos vert itst
geshpilt in neshonal teater, "Tog", N. Y., 10
December 1926.
-
N. Buchwald --
Ven nisht di "liriks" in di "roza", In gorten
fun libe", operete in neshonal teater,
"Frayhayt", N. Y. 10 December 1926.
-
Israel the Yankee
-- "In gorten fun liebe", "Yidishes tagblat", N.
Y., 12 December 1926.
-
Dr. A. Mukdoni
-- In un arum teater, "Morning Journal", N. Y.,
17 December 1926.
-
Dr. Y. Kritikus
[Kirschenbaum] -- In der velt fun teater, "Der
amerikaner", N. Y., 17 December 1926.
-
A. L. Alegra --
Di operete, "iz garten fun libe" fun sigel un
kalmanovitsh in neshonal teater, "Veker", N. Y.,
26 December 1926.
-
N. K. Linder --
Vayb un gelibte, "Der tog", N. Y., 28 January
1927.
-
Dr. Kritikus --
In der velt fun teater, "Der amerikaner", N. Y.,
N' 13, 1927.
-
[--] -- Vilyam
sigal, "teater un kunst", N. Y., April 1927.
-
Hillel Rogoff --
Dora veysman als a melodrame -star, "Forward",
N. Y., 29 April 1927.
-
A. Glantz -- Mali
pikon un ahrn lebedev in tsvey naye un shene
opereten, "Tog", N. Y., 30 September 1927.
-
N. Buchwald --
Tsvey operetes, "Frayhayt", N. Y., 4 October
1927.
-
Hillel Rogoff --
"A nakht in kalifornye" -- shehne operete in
neshonal teater, "Forward", N. Y., 14 October
1927.
-
[--] -- Der
idisher teater ("Di haynike meydlekh" fun
vilyam sigal), "Der afrikaner", Johannesburg, N'
14, 1927.
-
Jacob
Kirschenbaum -- In der velt fun teater, "Der
amerikaner", N. Y., N' 49, 1927.
-
Israel the Yankee
-- "A nakht in kalifornye", "Yiddishes tagblat",
N. Y., 30 October 1927.
-
B. Y. Goldstein
-- Oyf der teater evenyu, "Fraye arbayter shtime",
N. Y., N' 2, 1927.
-
Dr. A. Mukdoni
-- Tsvey operetn, "Morning Journal", N. Y., 6
January 1928.
-
Ab. Cahan -- Di
naye operete in neshonal teater, "Forward", N.
Y., 12 January 1928.
-
A. Glantz -- "A
gn-edn far tsvey", di naye piese in neshonal
teater, "Der tog", N. Y., 13 January 1928.
-
Ab. Cahan -- A
naye operete in poblik teater, "Forward", N. Y.,
26 January 1928.
-
A. Glantz --
Ludvig zats in a nayer rol, "Tog", N. Y., 27
January 1928.
-
Dr. A. Mukdoni
-- Der mbul fun operetes, "Morning Journal", N.
Y., 27 January 1928.
-
B. Y. Goldstein
-- Oyf der teater avenyu, "Fraye arbayter shtime",
N. Y., N' 21, 1928.
-
A. Glantz --
Aleksander pushkin in kunst-teater in etlekhe
verter vegn "ven libe ruft", "Der tog", N. Y., 3
February 1928.
-
L. Fogelman -- A
naye operete in liberty teater, "Forward", N.
Y., 16 February 1928.
-
Jacob
Kirschenbaum -- Der deeytsher prints vos iz
gevorn a khasidisher rebbe, "Der amerikaner", N.
Y., 2 March 1928.
-
Aaron Kanievsky
-- Arch. teater benks ibertsuarbeyten dem
"prints" un veyter shpielen di piese, "Der tog",
Philadelphia, 8 March 1928.
-
A. Glantz --
Tsvey naye melodrames, "Tog", N. Y., 16 March
1928.
-
B. Y. Goldstein
-- Oyf der teater avenyu, "Fraye arbayter shtime",
N. Y., N' 26, 1928.
-
Leonard Taube --
Speaking of the Yiddish Theatre, "The World", N.
Y., 25 March 1928.
-
Sara Colton --
William Siegel Says: "The Jewish Theatre will
exist at long (sic) there are Jews", "The Jewish
Tribune", N. Y., 6 April 1928.
-
Y. B. [Botoshansky]
-- A naye melodrame mit gezang in teater "Ekselsior",
"di shlekht khbrim" fun v. sigel, oyfgefirt fun
y. sheyngold un m. skulnik, "Prese", Buenos
Aires, 1 July 1928.
-
H. Lonski -- "Tsvey
khbrim", amerikaner melodrame in 5 acten fun v.
sigel, "Kalisher lebn", N' 18, 1928.
-
Sh. R. [Rozhansky]
-- A naye operete in teater "ekselsior" ("der
tsigeyner prints" fun v. sigel, muzik fun
mordekhai hokhberg), "Idishe tseytung", Buenos
Aires, 2 September 1928.
-
Victor Mirsky --
Di erefenungs piesen fun beyde hige idishe
teatere, "Di idishe velt", Philadelphia, 5
September 1928.
-
Aaron Malis --
Piese vos trogt a falshen nomen, der farfaser
hot in zinen gehat dos tishkestel fun artsh
teater, "Tog", Philadelphia, 9 September 1928.
-
Ab. Cahan -- Di
naye operete in neshonal teater, "Forward", N.
Y., 3 October 1928.
-
B. Y. Goldstein
-- Oyf der teater evenyu, "Fraye arbayter shtime",
N. Y., 5 October 1928.
-
Ab. Cahan -- Di
naye melodrame vos geht itst in poblik teater,
"Forward", N. Y., 10 October 1928.
-
Alef-Alef [A.
Auerbach] -- "Di kraft fun yugent", "Morning
Journal", N. Y., 19 October 1928.
-
M. Goldman -- "Vayb
un gelibte", "Dos naye lebn", Bialystok, 1
November 1928.
-
Meyshke -- "Tsigeyner
prints, in stendard, "Der kamf", Toronto, N'
151, 1928.
-
Aaron Kanievsky
-- Likht un shotn in di farborgene vinkelekh fun
di froyen fun der nakht, "Tog", Philadelphia, 3
November 1928.
-
B. Y. Goldstetin
-- Oyf der teater evenyu. "Fraye arbayter shtime",
N. Y., 23 November 1928.
-
S. Regensburg --
"A gn-edn far tsvey", "Di idishe velt",
Philadelphia, 7 December 1928.
-
A. Glantz -- "A
galitsianer khasene", di naye piese in poblik
teater, "Tog", N. Y., 7 December 1928.
-
Ab. Cahan -- "A
galitsianer khasene", di naye operete in poblik
teater, "Forward", N. Y., 11 December 1928.
-
B. Y. Goldstein
-- Oyf der teater evenyu, "Fraye arbayter shtime",
N. Y., N' 10, 1928.
-
B. Y. Goldstein
-- Oyf der teater evenyu, "Fraye arbayter shtime",
N. Y., N' 21, December 1928.
-
L. Fogelman -- "Reyzele
fun tsheynitun" in lyrik teater, "Forward", N.
Y., 11 January 1929.
-
B. Y. Goldstein
-- Oyfd der teater evenyu, "Fraye arbayter shtime", N. Y., 19 April 1929.
-
A. Glantz -- An "eybig
yunge piese" in dem poblik teater, "Tog", N. Y.,
26 April 1929.
-
Sh. R. --
Sheyngolds debit in argentine, "a gn-edn far
tsvey" fun v. sigel, "Id tseyt", Buenos Aires,
28 April 1929.
-
Victor Mirsky --
In der higer teater velt, "Di idishe velt",
Philadelphia, 10 May 1929.
-
Sh. Pan [Shayak]
-- "A gn-edn far tsvey", operete in 2 acten fun
sigel, oyfgefirt fun yozef kesler, "Post",
London, 29 May 1929.
-
Kritikus [Morris
Meyer] -- "A gn-edn far tsvey" fun sigel,
oyfgefirt fun yozef kesler in pavilon teater, "Tseyt",
London, 30 May 1929.
-
M. Kipnis -- "Reyzele
fun yapan" (fun v. sigel, mit muzik fun sholom
sekunde), "Haynt", Warsaw, 31 May 1929.
-
Sh. R. -- Berta
gutentags debut in teater "olympia", "froyen fun
der nakht" fun v. sigel, "Id. tseyt", Buenos
Aires, 15 July 1929.
-
H. Shk. -- Der
vekhter, "Idishe shtime", Kovno, 26 August 1929.
-
H. R. [Rogoff] --
"Far eyn moment glik", "Forward", N. Y., 6
September 1929.
-
Bn-A. [Sokhatshevsky]
-- Ver ushtert a heym? (fun v. sigel), oyfgefirt
fun yosef kesler, "Tseyt", London, 24 September
1929.
-
Sh. Pan -- "Ver
tsushtert a heym?", melodrame in 3 akten fun v.
sigel, "Post", London, 25 September 1929.
-
Aaron Kanievsky
-- Ershter oyftrit fun sili adler dem sizon in
sigel-shteynberg's "fargesene mame", "Tog",
Philadelphia, 20 October 1929.
-
Spektator [N.
Frank] -- "Vayb un gelibte" in pali dramatik, "Parizer
haynt", 22 October 1929.
-
Bn-A. -- "A leben
far a mame" (fun v. sigel un kalmanovitsh),
oyfgefirst in pavilon teater fun yozef kesler, "Tseyt",
London, 29 October 1929.
-
Sh. Pan. -- "A
lebn far a mame" fun v. sigel un kalmanovitsh,
oyfgefirt fun yozef kesler, "Post", London, 30
October 1929.
-
Sh. Pan. -- "Di
yetoymim fun gas" fun v. sigel, oyfgefirt fun
yozef kesler, "Post", London, 5 November 1929.
-
Dr. A. Mukdoni
-- In idishen teater, "Morning Journal", N. Y.,
29 November 1929.
-
William Edlin --
Tsvey naye gulungen opereten oyf der idisher
bine, "Tog", N. Y., 5 December 1929.
-
Dr. A. Mukdoni
-- In idishen theater, "Morning Journal", N. Y.,
6 December 1929.
-
L. Fogelman -- A
naye operete in roland teater, "Forward", N. Y.,
14 December 1929.
-
D. Kaplan -- A
nayer idisher komiker oyf sekond evenyu,
"Forward", N. Y., 18 December 1929.
-
Jacob Reich --
"Dos frehlikhe yetoyme'le" in sekond evenyu
teater, "Forward", N. Y., 27 December 1929.
-
William Edlin --
"Tsvey naye muzikalishe piesen, "Tog", N. Y., 27
December 1929.
-
N. B. Linder -- "Kenigin
fun mayn harts" in prospekt teater, "Tog", N.
Y., 3 January 1930.
-
A. Frumkin --
"Dos frehlikhe yetoyme'le in sekond evenyu
teater, "Brooklyner idishe shtime", N. Y., N'
27, 1930.
-
D. Kaplan -- "Di
kenigin fun mayn harts", in prospekt teater,
"Forward", N. Y., 10 January 1930.
-
B. Y. Goldstein
-- Oyf der teater evenyu, "Fraye arbayter shtime",
N. Y., 31 January 1930.
-
Akraniev -- Leon
blank breyngt areyn leben in sigel's a naye piese in "artsh.", "Tog", Philadelphia, 7 March
1930.
-
D. Kaplan -- "Di
komediantke" in sekond evenyu teater",
"Forward", N. Y., 17 March 1930.
-
William Edlin --
"Di komediantke" in's sekond evenyu teater,
"Tog", N. Y., 14 March 1930.
-
Esther Eliashev
-- Di melodrame "der vekhter" in kovner yidishn
teater, "Folksblat", Kovno, 2 April 1930.
-
Evelyn Seeley --
"Oj Vei, She shouldn't come back", "The New York
Telegram", 9 April 1930.
-
B. Y. Goldstein
-- Oyf der teater evenyu, "Fraye arbayter shtime",
N. Y., 18 April 1930.
-
D. Kaplan --
"Graf yosel" in roland teater, "Forward", N. Y.,
2 May 1930.
-
Spektator -- "Di
vekhter" fun sigal, oyfgefirt fun yulius adler,
"Parizer haynt", 24 June 1930.
-
L. Flamstein -- "Zise
momenten" in dem roland teater, "Tog", N. Y., 26
September 1930.
-
B. Y. Goldstein
-- Oyf der teater evenyu, "Fraye arbayter shtime",
N. Y. N' 58, 1930.
-
Dr. A. Mukdoni
-- Der zingerdiger teater, "Morning Journal", N.
Y., 3 October 1930.
-
Kritikus -- "Der
tsigeyner prints" fun sigal, oyfgefirt in
pavilon teater, "Tseyt", London, 6 October 1930.
-
D. Kaplan -- A
raykhe operete in roland teater, "Forward", N.
Y., 7 October 1930.
-
William Edlin --
Tsvey opereten in a drame, "Tog", N. Y., 10
October 1930.
-
Hillel Rogoff --
"A khasene in shtetl" in neshonal teater,
"Forward", N. Y., 10 October 1930.
-
B. Y. Goldstein
-- Oyf der teater evenyu, "Fraye arbayter shtime",
N. Y., N' 57, 1930.
-
Y. Rabinovitsh --
A teatrale gemishekhts, nisht milkhig un nit
fleyshig, "Keneder odler", Montreal, 26 November
1930.
-
W. Edlin -- "A
nakht in vald" in neshonal teater, "Tog", N. Y.,
13 March 1931.
-
Jacob Reich -- "A
nakht in vald" in dem neshonal teater,
"Forward", N. Y., 20 March 1931.
-
B. Y. Goldstein
-- Nokh dray vokhn zen, hern un shreygn, "Fraye
arbayter shtime", N. Y., N '20, 1931.
-
M. Melamed --
Vilyam sigel's beytrag tsum idishn teater, "Di
idishe velt", Philadelphia, 20 March 1931.
-
S. Regensberg --
"A khasene in shtedtel" -- in "Artsh", "Di
idishe velt", Philadelphia, 6 May 1931.
-
Sh. Pan -- Der
nayer sukses fun h' dzhulius natanson in "galitsianer
khasen", "Post", London, 19 May 1931.
-
Sh. Pan -- "Motke
khasene", operete in 2 akten fun vilyam sigel,
oyfgefirt in pavilon theater fun h' dzhulius
natanzon, "Post", London, 1 June 1931.
-
N. B. Linder -- "Hayntige
yugent" in prospekt teater, "Tog", N. Y., 10
September 1931.
-
L. Fogelman -- "Hayntige
yugend", Di erefenungs-piese in prospekt teater,
"Forward", N. Y., 11 September 1931.
-
L. Fogelman --
"Di gliklekhe nakht" in dem neshonal teater,
"Forward", N. Y., 18 September 1931.
-
Lebediger -- Di
gliklekhe nkht, "Morning Journal", N. Y., 25
September 1931.
-
N. B. Linder --
"Di gliklekhe nakht", "Tog", N. Y., 25 September
1931.
-
Sh. Pan -- Di
erefenung fun londoner idishen teater, "Post",
London, 25 September 1931.
-
B. Y. Goldstein
-- In tsvey teaters, "Fraye arbayter shtime", N.
Y., 16 October 1931.
-
B. Y. Goldstein
-- A im mit suzhetn in eyn opereta, "Fraye
arbayter shtime", N. Y., 23 October 1931.
-
Sh. Mbinzon -- "A
khasene in shtedtel", oyfgefirt in stendart
teater, "Idisher zhurnal", Toronto, 20 January
1932.
-
W. Edlin -- "Raykhe
kbtsnim", a naye komedye in neshonal teater,
"Tog", N. Y., 18 March 1932.
-
L. Fogelman -- "Raykhe
kbtsnim" -- in neshonal teater, "Forward", N.
Y., 18 March 1932.
-
S. Regensberg --
Menasha skulnik's oyftrit in "artsh" als "fishl
der gerotener", "Di idishe velt", Philadelphia,
28 March 1932.
-
William Siegel --
Meyk tomashevsky -- der avanturist fun idishen
teater, "Di idishe velt", Philadelphia, 26 July
1932.
-
S. K. -- "Song of
the Ghetto", "Daily News", N. Y., 3 October
1932.
-
Ab. Cahan -- "Iza
kremer in a idisher operete, "Forward", N. Y.,
14 October 1932.
-
William Edlin --
Dos lid fun der geto, in neshonal teater, "Tog",
N. Y., 14 October 1932.
-
Walter Hartman --
"Children's Gratitude", "Daily News", N. Y., 22
November 1932.
-
L. Fogelman --
"Der dank fun kinder", in Rolland teater,
"Forward", N. Y., 25 November 1932.
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