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K. writes in his biography:
"At age fifteen I arrived in
America. During the day I used to run around selling
Yiddish newspapers, and in the evening I am going to
learn the American language, until-- until I enter into
college, which they call the "shop." ...I am
caught in the powerful hand that has me oppressed for
sixteen years' time. Thus I have had the opportunity to
study my brother-workers with all of their sufferings
and freedoms. I have seen him laugh when his soul has
wailed, and I have seen his tired smile, who stresses in
a world with headaches that don't go away. I
eyngegenbet myself in the deepest corner of his
heart, and I have seen everything and for me in mental
records. I know him, the brother-worker, with all his
strengths and defects, and I have a deep love for him.
Later I have his sufferings
and freedoms melted down and have brought it onto the
red of the stage, and he, the brother-worker, has
himself seen and laughed through tears his own words and
jokes.
Almost all of my children
(comedies and dramas) are from worker's lives. ....Some
of those were devices, leytishe. Many of the
popular, well-known Yiddish critics have stood still and
had a few good words in what they say, and many of the
other great Yiddish artists have spirit, and they read
and they bring it to life, but many of my children were
libertines [hulties], creepy things, personal,
that there should be no meaning. One should not find
them inside any Jewish home."
In 1914, already a father of
two children, he again wrote at night for Yiddish
theatre, and he wrote the play, "On the Same Path[?],"
which a known Yiddish actor had later put on in the
"Lyric Theatre" in Brooklyn, obscuring the name, not
giving the name of the author, and with it toured across
America and Canada, where he had staged it.
K. wrote then a play, "The
Awakening," which he had brought to read to the
then manager of the "League of Yiddish Playwrights"
Sholem Perlmutter, who made him aware that a play under
the same name by Moshe Richter was just staged by Keni
Lipzin, and K. gave his consent to change the name of
his play. Perlmutter, not having any confidence in an
unknown playwright, did not read the play. In the summer
of 1916 he brought his new play to the dramatist N. Rakow, which was read for Kessler, begging
{Rakow] that Kessler
would not give the name of the author. Kessler [who] is the
play, especially the screaming end of the third act, was
not pleased that he hadn't bought the play. The play
also may have been staged in Newark's "Metropolitan
Theatre," which Joseph Schoengold also was supposed to
have taken on, but as there is nothing about it, the
play also had not been staged there.
As Perlmutter recalls, he
had received a proposal from the actors Saul and Esther
Wallerstein for a new play, and when he decided, they
submitted Rakow's play, "The Awakening," just the same
day that K. came to him, and speaking, he revealed that
truly the play is not Rakow's. But K.'s play, however,
was still staged there under the name, "His Last Dollar
[?]" with K. and Rakow [listed] as the composers. After
the great success of the play, it was bought by David
Kessler, and he had it staged on 5 November 1915 in his
theatre, under the name "The Mirror of Life, a drama in
our acts with a prologue and an epilogue by Kalmanowitz
and Rakow."
-
On 31 December 1915 in the
"Lyric Theatre," there was staged with the Wallersteins
K.'s lebensbild in four acts, "Reyn fun zind," and in
June 1916 in the "Liberty Theatre" with Ella Wallerstein
in the main role.
-
On 21 July 1916 Sigmund
Weintraub staged at the "National Roof Garden," K.'s
play, "Birth Control," music by Friedsell.
-
On 19 January 1917 in the
"Lyric Theatre," there was staged K.'s lebensbild in
four acts, "A krbn fun densing skool."
-
On 12 August 1917 in the
"National Roof Garden," there was staged K.'s play,
"Nature's Punishment [?]."
-
On 7 September 1917 Louis
Kremer staged in the "North Star Theatre" K.'s play, "Iz
a froy shuldik?" in four acts.
-
On 17 September 1917 in the
"Liberty Theatre," there was staged "The Worth of a
Mother, a comedy-drama in four acts, by Harry
Kalmanowitz," which on 22 September 1917 was played in
the "Lyric Theatre" under the name, "A Mother and her
Children," and on 12 October 1917 was performed by David
Kessler in his theatre, under the name "The Worth of a
Mother," a lebensbild in four acts by Kalmanowitz (with
the participation of David Kessler, Morris Moskowitz,
Rose Karp and Morris Schwartz).
-
On 26 October 1917 Sigmund
Weintraub staged in the "Liberty Theatre," "Zindike
froyen," in four acts by H. Kalmanowitz.
-
On 1 February 1918 Sigmund
Weintraub staged in the "Liberty Theatre," "Leykhtzinike
yungt, a lebensbild in four acts by H. Kalmanowitz."
-
On 1 November 1918 there
was staged in "Gabel's Theatre" "Khava's libe (Chava's
Love?)", a comedy-drama in four acts by H.
Kalmanowitz, scenes translated and staged by Max
Gabel."
-
On 6 December 1918 there
was staged by Sigmund Weintraub in the "Liberty
Theatre" "Eltern un kinder, a family-shtik in four
acts by H. Kalmanowitz."
-
On 13 December 1918
there was staged in Thomashefsky's "National
Theatre" "Upstairs and Downstairs," a comedy in four
acts by H. Kalmanowitz, adapted and staged by Boris
Thomashefsky, music by Joseph Rumshinsky.
-
On 8 February 1919 Max
Rosenthal staged in the "People's Theatre" K.'s
melodrama in four acts, with music by Friedsell, "Tserisene
neshomes." For the future productions of this play
there would be listed as the co-author the name of
William Siegel.
-
On 29 August 1919 in the
"Thomashefsky National Theatre," there was staged by
Boris Thomashefsky in his earlier adaptation, "The
Two Cantors, a musical comedy by H. Kalmanowitz"
(with David Kessler and Boris Thomashefsky in the
main roles.)
-
On 20 February 1920
there was staged at the "Lyric Theatre" K.'s "The
Eternal Slave" [ed. note: the opening date
for this production should be 12 February 1920.]
-
On 16 April 1920 in the
"Lyric Theatre," there was staged, "This Fire of
Love," in four acts, by H. Kalmanowitz.
-
On 19 May 1920 there was
staged in "Gabel's Theatre" "Fraye libe, a family
drama by Kalmanowitz and Cohen" [that was earlier
played in the "Liberty Theatre."]
-
On 2 December 1921 in
"Kessler's Second Avenue Theatre," there was staged,
"From Down-town to the Bronx, a comedy in four acts
by H. Kalmanowitz, music by J. Rumshinsky."
-
On 10 December 1921 in
the "Lyric Theatre," there was staged by Joseph
Tanzman (with his music), "Should Men Marry?", a
comedy by H. Kalmanowitz.
-
On 18 January 1922 in
the "People's Theatre," there was staged, with
Ludwig Satz in the title role, K. comedy "The
Lunatic."
-
On 10 March 1922 in the
"People's Theatre," there was staged through Max
Rosenthal, "Somebody's Wife, a comedy in four acts
by H. Kalmanowitz, music by Joseph Brody (with Max
Rosenthal, Ludwig Satz and Berta Gerstin in the main
roles.)
-
On 13 April 1922 in
"Thomashefsky's National Theatre," there was staged
by Aaron Lebedeff, "Aronchik and Solomonchik, a
comedy in three acts by H. Kalmanowitz, music by H.
Wohl."
-
On 23 September 1922, in
the "People's Theatre," there was staged, "God's
Judgment, a comedy-drama in three acts with a
prologue and epilogue by Kalmanowitz and Siegel."
-
On 23 September 1922, in
the "Lenox Theatre," there was staged, "A Home For a
Mother," a melodrama in four acts by Siegel and
Kalmanowitz." The same play on 4 September 1925 was
staged by Nathan Goldberg in the "Grand Theatre."
-
On 3 November 1922 there
was staged by Boris Thomashefsky in his theatre,
K.'s operetta, "Dance, Song and Wine," music by
Joseph Cherniavsky.
-
On 8 December 1922 there
was staged by Nathan Goldberg in his "Lenox Theatre"
K.'s "The Upset Bride." [ed. note: opening
date should be 20 November 1922.]
-
On 12 January 1923 there
was staged by Max Gabel, during his
guest-appearances in the "Liberty Theatre" "Khatzkel
the Shoemaker, a comedy-drama in four acts, written
by Max Gabel (idea from Kalmanowitz), music by Louis
Friedsell.
-
On 18 January 1923
Sigmund Weintraub staged at the "Irving Place
Theatre," "The Bandit," with Ludwig Satz in the
title role, music by Joseph Cherniavsky, which later
was played by Satz across the world.
-
In January 1923 there
was staged K.'s play, "Forgotten Mothers." The play
under the name of "Foolish Mothers" was staged in
1934 by the Germans in the "Parkway Theatre."
-
On 27 September 1923
there was staged by Isidore Hollander at the
"Hopkinson Theatre" "The Power of Love," in four
acts by Kalmanowitz.
-
In 1923 there was staged
by Leon Blank K.'s play, "The Watchman," which
remained in his repertoire for a long time, which he
played in various states across the United States
and Canada.
-
On 19 October 1923 in
the "Liberty Theatre," there was staged "Hearts and
Tears," a drama by Kalmanowitz and [Simon] Wolf.
-
On 23 October 1923 there
was staged by Louis Kremer in the "Hopkinson
Theatre" "Batsolt far ir libe, a lebensbild in four
acts by Kalmanowitz" [the author does not know of a
play with that name.]
-
On 18 January 1924 in
the "National Theatre" there was staged by Aaron
Lebedeff and Samuel Rosenstein "Papa's Boy, a
musical comedy in three acts by H. Kalmanowitz,
music by Peretz Sandler."
-
In the first days of
October 1924 opening the "Silbert Theatre" [later
the Hopkinson], with K.'s play, "Forgotten
Children."
-
On 31 October 1924 there
was staged by Max Rosenthal in the "Irving Place
Theatre," K.'s four-act play, "The Eternal Fools,"
(with Ludwig Satz and Max Rosenthal in the main
roles), which in August 1939 was staged by
Goldinburg in Buenos Aires under the name, "Modern
Children."
-
On 20 March 1925 there
was staged by Ludwig Satz at the "Irving Place
Theatre" "The Lucky Boy, a tragi-comedy in our acts
by H. Kalmanowitz."
-
On 6 November 1925
Samuel Rosenstein staged in the "Lenox Theatre" H.
Kalmanowitz's "Wives' Wisdom [?] ) (Vayberishe
khokhmes)," music by J. Cherniavsky.
-
On 31 December 1925 Max
Gabel staged in his theatre, "The Runaway Girl, a
great melodrama in three acts by Max Gabel and H.
Kalmanowitz, music by Herman Wohl."
-
On 26 February 1926
there was staged in the "Lenox Theatre" by Samuel
Rosenstein, "Money Talks," by Kalmanowitz and Wolf.
-
In the twentieth year
Samuel Goldinburg also staged, at first in
Philadelphia and then in other cities, K.'s play,
"In a Roumanian Inn," with which he guest-starred in
Argentina in 1936.
-
On 24 September 1926
through Misha German there was staged in the
"Hopkinson Theatre" H. Kalmanowitz's
"Stepmothers, a tragi-comedy in three acts." The
same play on 1 October 1926 was staged through
Goldberg-Jacobs in the "Lenox Theatre," with music
by Arnold Perlmutter, and on 15 October 1926 the
same play with lyrics and Jacob Jacobs, music by
Alexander Olshanetsky, staged by Samuel Goldinburg
in the "National Theatre." The play later was staged
across many Yiddish theatres across the world,
mostly during the guest-appearances of Misha and
Lucy German.
-
On 3 December 1926 in
the "Lenox Theatre" there was staged "Mit 20 yor
tsurik, a comedy-drama by H. Kalmanowitz, lyrics by
Jacob Jacobs, music by A. Perlmutter.
-
On 17 December 1926
there was staged at the "Lenox Theatre" by Nathan
Goldberg K.'s "On Strange Roads."
-
On 7 January 1927 in the
"Liberty Theatre" there was staged by Leon Blank
"The Thief, a comedy-drama by H. Kalmanowitz" [The
author did not know about a play with that name.]
-
On 18 November 1927 in
the "Hopkinson Theatre" there was staged by Chaim
Schneour K.'s play, "Why Men Run Away."
-
On 9 December 1927 there
was staged by Morris Krohner in the "Lyric Theatre"
K.'s play, "Forgotten Love."
-
On 23 December 1927
Jacob Kalich staged in the "Second Avenue Theatre,"
with Molly Picon in the main role, "Oy iz dos a
meydl, libretto by H. Kalmanowitz, music by Joseph
Rumshinsky."
-
On 23 March 1928 in the
"Prospect Theatre," there was staged by Nathan
Goldberg K.'s "The Upset Bride."
-
In March 1928 in Paris
there was played and staged by Julius Adler K.'s
"The Two Friends," in June 1928 in Argentina the
same play was played by Joseph Schoengold and
Menasha Skulnik, and in the same year the same play
was staged in Kalisz, Poland, by Karl Zimbalist.
-
On 15 April 1928 in the
"Public Theatre" there was staged by Ludwig Satz "A
Prince There Was, an operetta by H. Kalmanowitz,
lyrics by Satz and Stutchkoff, music by Herman Wohl."
-
On 15 September 1928 in
the "Prospect Theatre" there was staged, "The
Mother's Lover, libretto by H. Kalmanowitz, lyrics
by N. Stutchkoff, music by P. Laskowsky."
-
On 19 October 1928 there
was staged through Misha German in the "Folks
Theatre" (with Misha and Lucy German, Luther Adler,
Zvi Scooler, Yudl Dubinsky, Julia Adler and Helen
Bley) K.'s "The Eternal Mother, lyrics by Israel
Rosenberg, music by Harry Lubin," the same play
later year-long was played across many Yiddish
theatres across the world, mostly during the
guest-appearance of the Germans.
-
On 23 November in the
"National Theatre" there was staged by Samuel
Goldinburg "Forbidden Pleasures, a melodrama by H.
Kalmanowitz."
-
In August 1929 in the "Teatro
Argentina" in Buenos Aires, there was staged,
"Mother, I Want a Bridegroom, by H. Kalmanowitz,
adapted by S. Steinberg, music arranged by M.
Hochberg.
-
In August 1929 in the "Teatro
Excelsior" in Buenos Aires, there was staged during
the guest-appearance of Sara Skulnik, with her in
the main role, K.'s "For Her Children."
-
On 14 October 1929 there
was staged in the "Rolland Theatre" through Misha
German, "The Eternal Dance, by H. Kalmanowitz, music
by Sholom Secunda."
-
In November 1929 in
Paris there was staged by Hymie Prizant K.'s "Der
shemevdiker."
-
In December 1929 there
was staged in Lodz, Poland, "Vi azoy meydlekh vern
farfirt, a play in three acts by Kalmanowitz."
-
On 14 February 1930
there was staged by Izidore Casher in the "National
Theatre" K.'s play, "The Soul of a Woman," with
Berta Kalich in the main role. The same in March
1931 was played through the Germans in Montreal and
in other cities.
-
On 9 April 1930 Aaron
Lebedeff staged in the "National Theatre" "Motke
from Slobodke, an operetta by Kalmanowitz, music by
A. Olshanetsky."
-
On 13 April in the
"Rolland Theatre" there was staged through Misha
German "Marriage Chains, by H. Kalmanowitz, lyrics
by Israel Rosenberg, music by Sholom Secunda, with
Misha and Lucy German in the main roles.
-
In May 1930 there was
staged in Buenos Aires K.'s play, "Yo a man nit a
man [the author knows nothing of a play with this
name.]
-
In February 1930 there
was staged by Hymie Prizant in London K.'s "The Big
Shot."
-
In September 1930 in the
"Second Avenue Theatre," under the direction of
Jacob Kalich, there was staged with Molly Picon in
the title role, K.'s "The Girl of Yesterday," music
by Joseph Rumshinsky.
-
In November 1930 in
Montreal there was played K.'s "Fun got fargesene."
-
In December 1930 in the
"Hopkinson Theatre" there was played with Celia
Adler in the main role K.'s play, "Be a Mother."
-
On 24 April 1931 there
was staged by S. Goldinburg, "The Dangerous Age, by
H. Kalmanowitz, music by Sholom Secunda."
-
On 21 September 1931 in
"German's Folkstheatre," there was staged by Misha
German K.'s play, "The Mirror of Life," under the
new name, "Such is Life" (with Misha and Lucy
German, Menasha Skulnik, Izidore Casher, Mark
Schweid, Sonia Nadolska, and Celia Boodkin.)
-
In January 1932 there
was staged in the "Folkstheatre" by Misha German
K.'s play, "In a Tenement House" (with Menasha
Skulnik.)
-
In May 1932 in Warsaw's
"Skala Theatre," there was staged by the
guest-starring Celia Adler, "The Eternal Bride, by
Kalmanowitz, adapted by Jacob Sternberg."
-
In October 1932 in the
"Folks-Theatre," there was staged K.'s comedy, "Shlumiel,"
[Per Israel Rosenberg this is his play], in which
Skulnik in Argentina had guest-starred in in January
1938.
-
On 1 October 1932 there
was staged by Misha German in the "Liberty Theatre"
"Mother and Mother-in-Law, in three acts by H.
Kalmanowitz (with Misha and Lucy German in the
main roles). The same play later was played across
the world, during their guest-appearance in Riga,
under the name of "Esther."
-
In December 1932 Samuel
Goldinburg staged in the "National Theatre"
K.'s play, "New Times," which later was played under
the name of "Hello Grandfather" by Ludwig Satz in
the "Public Theatre," and in 1940, through Izidore
Casher, under the name "Der zayde geyt," during his
guest-appearance in Argentina, as well as through
Turkow.
-
In October 1935 in the
"Public Theatre" there was staged by Nathan Goldberg
K.'s play, "In a House of Glass."
-
In November 1935 in the
"National Theatre" revived under the name, "Our
Family Lives," was K.'s play, "Shvakhe heldn."
-
In November 1935 in the
"Public Theatre" there was staged K.'s musical
comedy, "Oh, You Girls!" (with Aaron Lebedeff and
Itzhak Feld.)"
-
In January 1936 there
was staged at the "Parkway Theatre" K.'s play,
"Which Woman is Right?".
-
In April 1936 Samuel
Goldinburg guest-starred in Argentina's Yiddish
theatre with K.'s play, "All in a Lifetime."
-
In April 1936 in the
"Parkway Theatre" there was staged K.'s play, "The
Second Love" with Ludwig Satz and Celia Adler in the
main roles. the same play later was also staged
across the province.
-
On 2 November 1936 in
the "Parkway Theatre" there was staged by Nathan
Goldberg, "The Musical Horse," by H. Kalmanowitz,
lyrics by Jacob Jacobs, music by Yasha Kreitzberg.
-
In January 1937 Bertha
Gerstin, during her guest-appearance in Buenos
Aires, staged there K.'s play, "The Woman Who Lost"
[a free adaptation of "The House of Glass" by
Maxwell Anderson].
-
In February 1938 through
Nathan Goldberg there was staged in the "Parkway
Theatre" K.'s play, "Bei Mir Bis Du Schoen."
-
In February 1938 there
was staged K.'s play, "Semele's Bar-Mitzvah."
-
In October 1938 there
was staged at the "Parkway Theatre" K.'s play,
"Gambling Madness."
-
In October 1938 there
was staged at the "Public Theatre" K.'s operetta,
"The Wise fool" (The author has no knowledge of a
play with that name.]
-
In 1938 in the "National
Theatre" there was staged through Herman Yablokoff
K.'s play, "Semele's Bar Mitzvah," which in March
1939 was played in Buenos Aires.
-
In March 1939 there was
staged in Buenos Aires K.'s play, "Semele's Ba
Mitzvah."
-
In April 1939 in Buenos
Aires there was staged K.'s play, "The Slutzer
Landsman."
-
In July 1939 in the
Yiddish theatre of Lodz, Poland, there was staged, "Fraydele's
Luck, a comedy in three acts by H. Kalmanowitz,
adapted and stage-directed by Ida Kaminska."
-
The play was earlier
staged under the name, "Fraydele Becomes a Bride,"
through Jennie Goldstein in the "McKinley Square
Theatre."
-
On 29 December 1939
there was staged by Jacob Ben Ami and Jacob Mestel
in the "National Theatre" K.'s play, "Life Marches
On," which in August 1940 was staged in Buenos Aires
under the name, "Der letster mazl tov."
-
In October 1941 through
Samuel Goldinburg there was staged in the "Nat "Her
first ional Theatre" K.'s play, "The Man of
Tomorrow."
-
In October 1941 in the
"Second Avenue Theatre" there was staged by Herman
Yablokoff K.'s operetta, "Live and Laugh."
-
In January 1942 in the
"Hopkinson Theatre" there was staged K.'s
comedy-drama, "Her First Lie."
-
In April 1942 in
Chicago, in the "Douglas Park Theatre," there was
staged through Ben Zion Witler, K.'s "Home Sweet
Home" as "Motl the Peddler"), in 1946 through him in
the "Teatro Mitre" in Buenos Aires and in other
cities where he guest-starred.
-
In 1950 in the "Second
Avenue Theatre," under the direction of Jacob
Kalich, there was staged (with Molly Picon in the
title role), K.'s "Mazl tov, Molly" (Music by Joseph
Rumshinsky).
-
In 1953 Menachem Rubin
staged in the "Parkway Theatre" K.'s play, "In Every
Home" (music by Sholom Secunda).
-
In 1954 in the "Parkway
Theatre" there was staged (with Miriam Kressyn and
Edmund Zayenda) K.'s play, "Will They Remember?",
which in 1962 under the name "Go, Fight City Hall,"
was staged in the "Mayfair Theatre" under the
direction of Menachem Rubin.
-
In 1958 Molly Picon
performed in K.'s and Jacob Kalich's operetta, "The
Lost Honeymoon," which in New York played or
thirty-nine weeks, and then across the province.
-
In October 1957 in the
"National Theatre" there was staged "It Could Happen
to You, a lebnsbild by Harry Kalmanowitz and Louis
Freiman, adapted and stage directed by Herman
Yablokof."
-
In October 1957 through
Nathan Goldberg there was staged in the "Labor
Temple" in New York, K.'s play, "Money Isn't
Everything."
-
In the span from 1942
until 1952 over the Yiddish radio in New York, there
were staged K.'s 2700 sketches," My Mother and I"
and "Three Generations."
Sh. E.
-
Zalmen Reyzen--
"Lexicon of Yiddish Literature," Vol. III, pp.
697-698.
-
B. Gorin-- "History
of Yiddish Theatre," Vol. II, 273, 281.
-
Hillel Rogoff-- "Geburth
kontrol," "Forward," N.Y., 10 August 1916.
-
Y. Slonim--
Kalmanovitsh'es "di verth fun a mame" in liberty
theater, "Di varhayt," N.Y., 12 Sept. 1917.
-
Hillel Rogoff-- Oyf
brodvay un in bronzvil, dort, 12 October 1917.
-
Hillel Rogoff-- "Di
verth fun a mame," "Forward," N.Y., 19 Oct. 1917.
-
D. B. [Sh. Yanovski]--
In theater, "Fraye arbeter shtime," N.Y., 27 October
1917.
-
B. Gorin-- Tsvey naye
shtiker in idishen teater, "Morning Journal," N.Y.,
15 Nov. 1918.
-
Hillel Rogoff--
Kalmanovitshes a piese in gebil's theater,
"Forverts," N.Y., 22 Nov. 1918.
-
D.B.-- In theater, "Fraye
arbeter shtime," N.Y., 27 October 1918.
-
D.B.-- In theater,
dort, 21 Dec. 1918.
-
Israel the Yankee--
Op-stayrs un doun-stayrs, "Yidishe tagblat," N.Y.,
10 January 1919.
-
Der kritiker-- In der
teater velt, "Gerekhtikeyt," N' 36, 1919.
-
Shmuel Deyksel-- In
teater, "Fraye arbeter shtime," N.Y., 8 Nov. 1919.
-
Aaron Rosen-- Fun
doun toun biz bronx, "Yidishe tagblat," N.Y., 9 Dec.
1921.
-
B. Gorin-- Der
meshugener, "Morning Journal," N.Y., 27 Jan. 1922.
-
Aaron Rosen-- "Yenem's
vayb" in pipls theater, "Yiddishe
tageblatt," N.Y., 17
March 1922.
-
P. Novik-- Unzer
folks-teater, "Frayhayt," N.Y., 20 Oct. 1922.
-
Ab. Cahan-- Di naye
operetke in thomashefsky's theater, "Forverts,"
N.Y., 10 November 1922.
-
Israel the Yankee--
Tantz, gezang un vayn, "Yiddishe tageblatt," N.Y., 30
Nov. 1922.
-
J. Entin-- Dos
yidishe theater haynt un morgn, "Di tsukunft," N.Y.,
December 1922.
-
A. Ts. R.-- "Khava's
tekhter," "Di tsayt," London, 7 January 1923.
-
Hillel Rogoff-- "Fargesene
mames," "Forward," N.Y., 26 January 1923.
-
B. Gorin-- Der gazln,
"Morning Journal," N.Y., 22 Feb. 1923.
-
A. Epstein-- Ludvig
zatz als "gazln," "Tog," N.Y., 2 March 1923.
-
J. Entin-- Dos teater
bay unz yiden un bay zay, Di moskver, "Tsukunft,"
N.Y., March 1923.
-
An'altn Bakantn--
Kumt tsu unz! Shreybt fun unz! "Frayhayt," N.Y., 5
Oct. 1923.
-
Aksel-- A farblonjete
piese, "Fraye arbete shtime," N.Y., 12 October 1923.
-
Hillel Rogoff-- Leon
blank in dem "vatshman," "Forward," N.Y., 17 October
1923.
-
Israel the Yankee--
Leon blank in "der vatshman," "Yiddishe
tageblatt,"
N.Y., 25 January 1924.
-
Alef-Alef-- Der
triumf fun a kinstler in an operete, "Morning
Journal," N.Y., 25 January 1924.
-
B.I. Goldstein--
Tsvay komedies, "Tog," N.Y., 25 January 1924.
-
Hillel Rogoff-- "Dem
taten's zundel," Di naye operete in neshonal
theater, "Forward," N.Y., 8 February 1924.
-
J. Entin-- Der
letster teater sezon, "Tsukunft," N. Y., June 1924.
-
Pini bel Lshon-- Di
erefnungs-piese fun zilbert's theater, "Yiddishe
tageblatt," N.Y., 10 Oct. 1924.
-
N. Buchwald-- Falsh
vi a fotorgrafie, "Frayhayt," N.Y., 7 November 1924.
-
B.Y. Goldstein-- "Di
eybige naronim" "Tog," N.Y., 7 Nov. 1924.
-
L. Kesner-- "Eybike
naronim," "Yiddishe tageblatt," N.Y., 7 Nov. 1924.
-
Dr. A. Mukdoni-- In a
shtil vaser, "Morning Journal," N.Y., 7 Nov. 1924.
-
Regidebl-- Drame eyn,
drama oys, "Der groyser kunds," N.Y., 7 Nov. 1924.
-
L. Kristol-- A
publikum fun eybike naronim, "Fraye arbeter shtime,"
N.Y., 7 Nov. 1924.
-
Ab. Cahan-- A naye
piese in irving plays theater, "Forward," N.Y., 14
Nov. 1924.
-
L. Kristol--
Strindberg oyf der linker zays, "Fraye arbeter
shtime," N.Y., 10 January 1925.
-
J. Entin-- Der
mazl'diger bokher, "Di naye varhayt," N.Y., 27 March
1925.
-
L. Kesner-- "Der
mazl'diger bokher, "Yiddishe tageblatt," N.Y., 27
March 1925.
-
Alter Epstein-- "Der
mazl-diger bokher," Tog," N.Y., 10 April 1925.
-
M. Ring-- "Der
mazl'diger bokher," "Frayhayt," N.Y., 10 April 1925.
-
Dr. A. Mukdoni-- Di
komedye fun tpshut, "Morning Journal," N.Y., 17
April 1925.
-
H.M. [Harry Meyer]--
"Eybige naronim," "Di tsayt," London, 26 June 1925.
-
Hillel Rogoff-- In
grend teater, "Forward," N.Y., 11 September 1925.
-
Israel the Yankee-- "Stepmames,"
a tragedye-drame in hopkinson teater, "Yiddishe
tageblatt," N.Y., 29 September 1926.
-
Ab. Cahan-- An
interesante melodrame fun dem gantz gevenlikhen lebn
in hopkinson teater in bronzvil, "Forward," N.Y., 1
Oct. 1926.
-
Israel the Yankee-- "Shtifmames,"
"Yiddishes tageblatt," N.Y., 22 Oct. 1926.
-
A.K.-- Di piese "shtef-mames"
in bronzvill un in nyu york, "Forward," N.Y., 29
October 1926.
-
Ab. Cahan-- Di naye
operete in neshonal teater, "Forward," N.Y., 8 Dec.
1926.
-
Dr. Y. Kritikus-- In
der velt fun teater, "Amerikaner," N.Y., 17 Dec.
1926.
-
M. Melamed-- Ludvig
zatz-- a yidisher gazln, "Di yidishe velt,"
Philadelphia, 25 May 1927.
-
Ts.R. [Romanovski]--
Di "shtifmames," "Di tsayt," London, 13 June 1927.
-
L. Fogelman-- Naye
piesn in hopkinson un in lyrik teater, "Forward,"
N.Y., 16 Dec. 1927.
-
Ab. Cahan-- Di naye
operete in dem sekond evenyu teater, "Forward,"
N.Y., 13 January 1928.
-
H. Lyonski-- "Tsvey
khaverim," Amerikanishe melodrame in 5 aktn fun v.
sigel, "Kalisher lebn," Kalish, N' 18, 1928.
-
Spektator [N.
Frank]-- "Di tsvey khaverim" fun kalmanovitsh,
geshpilt un oyfgefirt durkh julius adler, "Parizer
haynt," Paris, 23 March 1928.
-
M. Shemash-- In
Yidishn teater, "Di yidishe bekert shtime," N.Y., 21
Sept. 1928.
-
A. Flamstein-- "Zayn
mames gelibter" vos vert itst geshp;ilt in prospekt
teater, "Tog," N.Y., 19 Oct. 1928.
-
M. L. Fogelman-- Di
operete in prospekt teater, "Forward," N.Y., 23 Oct.
1928.
-
L. Fogelman-- "Di
eybige mame-- a naye piese in dem "yidishn folks-teater,"
"Forward," N.Y., 2 November 1928.
-
L. Fogelman-- "Farbotene
fargenigens" in neshonel teater, dort, 7 Dec. 1928.
-
J. Entin-- Piesn vos
zaynen geshpilt gevorn hayntign sezon, "Di yidishe
arbeter shtime," N.Y., January 1929.
-
Y.B.-- "Di eybike
mame" fun h. kalmanowitsh oyfgefirst in teater "argentina,"
"Di prese," Buenos Aires, 4 March 1929.
-
Kh. Ehrenreich-- "Di
eybige mame" get shoyn 25 vokhn, "Forward," N.Y., 22
March 1929.
-
N. Tsuker-- Teater
argentina: "Di eybike mame" fun h. kalmanowitsh, "Argentiner
tog," Buenos Aires, 24 March 1929.
-
Sh.R.-- Agemitlekhe
melodrame in "argentine," "eybiker naronim" fun
kalmanovitsh, "Yidishe tsaytung," Buenos Aires, 27
May 1929.
-
Kritikus-- "Di
yidishe mame" fun kalmanovitsh, "Di tsayt," London,
19 May 1929.
-
Sh.R.-- A gemitlekhe
melodrame in "argentine," "Eybike naronim" fun
kalmanovitsh, "Yidishe tsaytung," Buenos Aires, 27
May 1929.
-
Sh.R.-- "Mame, ikh
vil a khosn" fun h. kalmanovitsh, baarbet fun sh.
steinberg, in teater argentine, dort, 19 August
1929.
-
M.G. [M. Niser]-- "Mame,
ikh vil a khosn!," (operete fun kalmanovitsh, musik
aranzhirt fun m. hokhberg) in teater "argentine," "Argentiner
tog," Buenos Aires, 20 August 1929.
-
Sh.R.-- Sara
skulnik's debut in "ekselsior." Far ire kinder fun
h. kalmanovitsh, "Yidishe tsaytung," Buenos Aires,
26 August 1929.
-
Sh.R.-- A leykhte
komedye, oyfgefirt fun m. skulnik, "Da"ts", Buenos
Aires, 5 Sept. 1929.
-
Aaron Kanevsky--
Artsh teater hot zikh geefnt mit a melodrame fun
kalmanovitsh, "Der tog," Philadelphia, 12 October
1929.
-
Sh. Pan-- "A lebn far
a mame," "Post," London, 30 Oct. 1929.
-
L. Fogelman-- "Der
eybiker tants" in roland teater, "Forward," N.Y., 1
Nov. 1929.
-
Kritikus-- Di tsvey
khazanim (oyfgefirt durkh tomashevsky in pavilion),
"Di tsayt," London, 20 January 1930.
-
D. Kaplan-- Madam
berta kalish in a nayer piese in neshonel teater,
"Forward," N.Y., 21 February 1930.
-
B.Y. Goldstein-- Oyf
der teater avenyu, "Fraye arbeter shtime," N.Y., 25
April 1930.
-
Sh.R.-- "Yo a man, un
nisht a man" fun h. kalmanovitsh, oygefirt in "teater
nueva," "Yidishe tsaytung," Buenos Aires, 27 May
1930.
-
Morris Meyer-- Ludvig
zatz, der meystr-komiker als der "gazln" in
kalmanovitshes tragi-komedye, "Tsayt," London, 1
June 1930.
-
J. Shayak-- Tsu
zatz's oyffirung fun "gazln," "Di post," London, 1
June 1930.
-
Sh. Pan-- "Der goiser
fardiner" fun kalmanovitsh oyfgefirt fun hymie
prizant, "Post," London, 11 June 1930.
-
Sh. Pan-- Groyser
erfolg in pavilion teater fun lusi un misha german
in "di eybike mame," dort, 11 June 1930.
-
Kritikus-- "Di eybike
mame" fun kalmanovitsh oyfgefirt fun misha german
mit lusi german in der hoyptrole, "Tsayt," London,
12 June 1930.
-
Elkhanon Zeitlin--
Brava, ludik zatz!, "Unzer ekspres," Warsaw, 20 June
1930.
-
M. Kipnis-- Ludvik
zatz der yidisher charlie chaplin in "der gazln," "Haynt,"
Warsaw, 25 June 1930.
-
Bet-Shin-- Zatz--der
"gazln," "naye folkstsaytung," Warsaw, 25 June 1930.
-
Hillel Zeitlin-- "Dos
heylike shnayderl," "Moment," Warsaw, 4 July 1930.
-
B. Karlinius--
Teater-notitsn, dort, 8 July 1930.
-
Noakh Prilutsky-- "Klang
un opklung," dort, 8 July 1930.
-
Dr. Moshe Lustig-- "Der
gazln" fun kalmanovitsh, "Morgn," Lemberg, 21 July
1930.
-
M. Kipnis-- "Di
eybige mame," "Haynt," Warsaw, 12 August 1930.
-
William Edlin-- "Dos
meydl fun amol"-- in moly pikon's folks teater,
"Tog," N.Y., 3 Oct. 1930.
-
Hillel Rogoff--
Rumshinsky's naye operete "dos meydl fun amol,"
"Forward," N.Y., 3 Oct. 1930.
-
Teater mentsh--
Onhoyb fun nayem sezon in yidishn teater, "Di eybike
mame" fun kalmanovitsh, "Nayer folksblat," Lodz, 12
Oct. 1930.
-
B.Y. Goldstein-- Oyf
der teater evenyu, "Fraye arbeter shtime," N.Y., 21
Nov. 1930.
-
Y. Rabinowitz-- "Fun
got fargesene," "Kendeder adler," Montreal, 3 Dec.
1930.
-
William Edlin-- Tsile
adler in der piese "zay a mame," "Tog," N.Y., 2
January 1931.
-
L. Fogelman-- Tsilie
adler in der nayer piese "zay a mame," in hopkinson
teater, "Forward," N.Y., 2 January 1931.
-
Y. Rabinowitz-- Di
germans in montreal, "Keneder odler," Montreal, 18
March 1931.
-
Y. Rabinowitz-- Tsile
adler in kalmanovitshes nayer piese, dort, Montreal,
22 April 1931.
-
B.Y. Goldstein-- A
mentsh iz git keyn melakh, ober a shuth?, "Fraye
arbeter shtime," N.Y., 8 May 1931.
-
Sholem Perlmutter--
Vi kalmanovitsh'es nayeste piese "a mentsh iz nit
keyn melakh" vert geshpilt fun goldenburg's troupe,
"Tog," 15 May 1931.
-
Y. Rabinowitz-- "Farvos
mener antloyfn," "Keneder odler," Montreal, 24
September 1931.
-
L. Fogelman-- "Azoy
iz dos lebn"-- naye piese in folks teater,
"Forward," N.Y., 25 Sept. 1931.
-
William Edlin-- Tsvey
piesn in dem yidishn teatre-- a familien bild un a
melodrame, "Tog," N.Y., 2 Oct. 1931.
-
Dr. A. Mukdoni--
Gezang un shpil, "Morning Journal," N.Y., 2 Oct.
1931.
-
Ray Raskin-- Di
folks-mame, "Unzer folk," N.Y., 7 Oct. 1931.
-
B.Y. Goldstein-- In
tsvey teaters, "Fraye arbeter shtime," N.Y., 16 Oct.
1931.
-
Aksel-- Fun doun-toun
biz bronks, dort, 23 Dec. 1931.
-
Ab. Cahan-- A naye
kalmanovitsh piese in dem folks-teater, "Forward,"
N.Y., 28 January 1932.
-
L. Finkel-- "Mame un
shviger," in liberty teater, "Tog," N.Y., 7 Oct.
1932.
-
D. Kaplan-- "Mame un
shviger," in dem liberty teater, "Forward,"
N.Y., 14 Oct. 1932. Eksperiment in a nayer rol,
"Tog," N.Y., 23 Dec. 1932.
-
Elkhanon Zeitlin--
Yudish teater in varsha, "Unzer ekspres," Warsaw, 5
July 1933.
-
Z. Artur-- In geyeg
nokh a problem, "Naye folkstsaytung," Warsaw, 10
August 1933.
-
N.M. [Maisel]-- Lusi
un misha german in "novoshtshii," Literarishe bleter,
Warsaw, N' 27, 1933.
-
Shmuel Rozhansky--
Ludvig zatz's debut in teater "soleil," "Yidishe
tsaytung," Buenos Aires, 5 July 1934.
-
An [a. Vaserman]--
"Ester" fun a. kalmanovitsh, "Haynt batog," Riga, 20
Sept. 1934.
-
Sh.R.-- "Azoy iz dos
lebn" un...azoy darf men shpiln a shene melodrame, "Yidishe
tsaytung," Buenos Aires, 21 April 1935.
-
T. Beilin-- "Shtifmames,"
"Prese," Buenos Aires, 2 June 1935.
-
L. Fogelman-- "In a
hoyz fun gloz," naye piese in parkvay teater,
"Forward," N.Y., 18 Oct. 1935.
-
Jacob Kirschenbaum--
In tsvey brukliner teaters, "Morning Journal," N.Y.,
18 Oct. 1935.
-
I. Fried-- "In a hoyz
fun gloz, "Morgn fryayhayt," N.Y., 18 Oct. 1935.
-
N.B. Linder-- "Unzere
familye-lebns," a baneyte mitvokh-piese in neshonal
teater, "Tog," N.Y., 6 Nov. 1935.
-
L. Fogelman-- Lustige
muzikalishe komedye in poblik teater, "Forward,"
N.Y., 6 Dec. 1935.
-
Dr. A. Mukdoni--
Tsvey operetn, "Morning Journal," N.Y., 8 Dec. 1935.
-
Ab. Cahan-- Der
hayntiger yidisher teater sezon "Forward," N.Y., 14
Dec. 1935.
-
L. Fogelman-- Eyne
fun h. kalmanovitsh's lebnsbilder oyfgefirt in
bronks art teater, "Tog," N.Y., 16 Jan. 1935.
-
E. Fleischman-- "Velkhe
froy iz gerekht?"-- a naye familyyen-drame geshpilt
in parkvay teater, dort, 30 Jan. 1936.
-
Ab. Cahan--
Kalmanovitsh'es a naye piese in parkvay teater,
"Forward," N.Y., 14 February 1936.
-
I. Fried--
Familien-drame in parkvay teater, "Morgn frayhayt,"
N.Y., 28 February 1936.
-
Shmuel Rozhansky--
Sem. goldenburg's debut, a kinstler-ovent, "Yidishe
tsaytung," Buenos Aires, 9 April 1936.
-
Dr. L. Zhitnitsky--
"In lebn treft alts," "Prese," Buenos Aires, 9 April
1936.
-
N.B. Linder-- Ludvig
zatz un tsilie adler in a piese fun kalmanovitsh'en
parkvay teater, "Tog," N.Y., 11 April 1936.
-
Dr. A. Mukdoni--
Shpiel un kunds'erey, "Morning Journal," N.Y., 17
April 1936.
-
S. Regensberg--
Ludvig zatz un tsilie adler in kalmanovitshe's "di
tsveyte libe,""Di yidishe velt," Philadelphia, 29
April 1936.
-
T. Beilin-- Notitsn
un bamerkungen, "Prese," Buenos Aires, 5 June 1936.
-
W. Bressler-- "In a
rumenisher kretshme," "Morgn tsaytung," Buenos
Aires, 5 June 1936.
-
W. Bressler-- "A
mentsh iz nit keyn melakh," dort, 29 June 1936.
-
A. Kriger-- Nit azoy
mazl-dig, "Morgn frayhayt," N.Y., 13 Nov. 1936.
-
Moishe Nadir--
Teatrale ekskursies, "Signal," N.Y., November 1936.
-
T. Beilin-- Notitsn
un bamerkungen, "Di prese," Buenos Aires, 2 Apri
1937.
-
Yankev Botoshansky--
H. kalmanovitsh a reyner balmelokhe, "Prese," Buenos
Aires, 16 April 1937.
-
Charles Rusianov--
"Bay mir biztu shen," kalmanovitsh's naye piese
in parkvay teater, "Forward," N.Y., 18 February
1938.
-
William Edlin-- "Bay
mir biztu shen," di naye kalmanovitsh piese in
parkvay teater, "Tog," N.Y., 20 February 1938.
-
Joel Entin-- Teater,
"Der yidisher kemfer," N.Y., 18 March 1938.
-
A. M-n-- Di
forshtelung "semeles bar mitzvah" in "studebeyker
teater," "Yidisher kurier," Chicago, 6 May 1938.
-
Y.R.-- 'Semeles bar
mitzvah," "Keneder odler," Montreal, 25 May 1938.
-
Shmuel Rozhansky--
Teater-retsenies, "Ad"ts," Buenos Aires, 26 June
1938.
-
Dr. L. Zhitnitsky--
Der debut fun menashe skulnik in der opeete "senior
shlumiel," "Prese," Buenos Aires, 26 June 1938.
-
William Edlin-- "Kartn
meshugenes," oyfgefirt in parkvay teater, "Tog,"
N.Y., 8 Oct. 1938.
-
D. Kaplan--
Kalmanovitsh's naye piese in parkvay teater,
"Forward," N.Y., 11 Oct. 1938.
-
L. Fogelman-- "Der
kluger nar"-- a naye operete in poblik teater, dort,
14 Oct. 1938.
-
Shmuel Rozhansky--
Teater-retsenzies, "Da"ts," Buenos Aires, 3 April
1939.
-
Dr. L. Zhitnitsky--
Der debut fun s. goldenberg in teater "ambu," "Prese,"
Buenos Aires, 2 July 1939.
-
Teater-mentsh-- Fun
yudishn teater, "Naye folksblat," Lodz, 19 July
1939.
-
T. Beilin-- Notitsn
un bamerkungen, "Prese," Buenos Aires, 25 August
1939.
-
Zalmen Zylbercweig--
"Album of the Yiddish Theatre," New York, 1937, pp.
27, 29, 102, 108, 110.
-
William Edlin-- "Dos
lebn get on"--di tsveyte piese fun hayntigen sezon
in neshonal teater, "Tog," N.Y., 5 January 1940.
-
Efrim Auerbach-- "Dos
lebn get on" in neshonal teater, "Morning Journal,"
N.Y., 5 January 1940.
-
Ab. Cahan-- H.
kalmanovitsh'es a naye piese in neshonal teater,
"Forward," N.Y., 6 Jan. 1940.
-
Yankev Botoshansky--
Tsvishn forhang in leyvnt, "Prese," Buenos Aires, 16
February 1940.
-
Shmuel Rozhansky--
Teater-retsenzies, "Da"ts," Buenos Aires, 29 July
1940.
-
Shmuel Rozhansky--
Teater-retsenzies, "Da"ts," Buenos Aires, 20 August
1940.
-
Ab. Cahan-- A naye
kalmanovitsh piese in goldenburg's neshonal teater,
"Forward," Chicago, 11 Oct. 1941.
-
Hillel Rogoff-- "Leb
un lakh" in sekond evenyu teater, "Forward," N.Y.,
17 Oct. 1941.
-
William Edlin-- "Der
mensh fun morgen"-- di naye piese in neshonal teater,
"Tog," N.Y., 17 Oct. 1941.
-
Kh. Gutman-- Der
mensh fun morgen, "Morning Journal," N.Y., 24 Oct.
1941.
-
William Edlin-- "Leb
un lakh"-- yablokov's groyse oyffirung dem sezon in
sekond evenyu teater, "Tog," N.Y., 14 Nov. 1941.
-
Leon Kristol-- Der
nayer sezon in yidishn teater, "Tsukunft," N.Y.,
December 1941.
-
Joel Entin-- Dos
yidishe teater in mitn sezon, "Der yidisher kempfer,"
N.Y., 26 Dec. 1941.
-
B. Levitin-- "Ir
ershter lign," a feyne komedye-drame in hopkinson,
"Forward," 30 January 1942.
-
Sh. Zamd-- "Heym,
zise heym," geshpilt in doglas park teater,
"Forward," Chicago,1 May 1942.
-
T. Beilin-- "Heym,
zise heym," "Prese," Buenos Aires, 2 June 1946.
-
E. Kh.-- Leo fuks
loybt farfaser fun "mendl der kontnentel," Forward,
N.Y., 4 April 1952.
-
Sholem Perlmutter-- "Yidishe
dramaturgn un teater-kompozitors," New York, 1952,
pp. 284-295.
-
L. Fogelman-- Naye
forshtelung in neshonal teater oyf sekond evenyu,
"Forward," N.Y., 1 Nov. 1957.
-
Chaim Ehrenreich--
Tsvey ovntn in teater-- "doun-toun un "optoun,"
"Forward," N.Y., 1 Nov. 1957.
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