used to turn around and
control whether everything was done correctly. She
had this kind of work written in a series of
accounts under the name, "Mit yidishe farmerkinder"
in "Kinder zhurnal" (1929).
Her interest in Jewish
history was also expressed in this. What she wanted
to bring into the minds and memory of the children
in a theatrical way, and she dramatized and wrote
several children's plays: "The Megillah of Esther,"
"The Little Chanukah Lamp" (per Yehoshua), "Moshe
der bafreyer," "Di mayse fun chanukah-gelt," "A
shavuous spiel," "Mayn korb" (adapted from Elma
Ehrlich-Levendzer) in "Der shveynendiker flikhtling,"
which were published in New York's "Kinder zhurnal,"
where she also composed a great number of accounts,
stories, plays, reviews, also including a part in
"Kinder zhurnal," and in other journals and
newspapers.
In 1933 in the
publishing house "Matones" (New York), there was
issued her teaching book, "Vort un bild,"
illustrated by Nate Kozlovsky, which was a new way
to teach children Yiddish, and therefore had evoked
a very good response. In 1952 in the Biderman
publishing house (New York, 80 pp.) there was
published her book, "Mirele," with "Grine
dertseylungen," illustrated by Moshe Fisher. The
Bloch Publishing Company also published in English,
her two books of biblical stories.
L. passed away on 28
January 1955 in New York.
Lipe Lerer characterized
her as such:
"Born and raised in a
traditional Jewish home, Sarah Leah Libert from her
youth realized in herself a love of Jewish
traditions, for Jewish knowledge and for our Yiddish
tongue. ...She had a strong love for reading, for
learning with children, they became familiar with
Jewish history, with Yiddish literature, which was
her great pleasure. She was of the first teacher and
activist in the Sholem Aleichem Folk Schools. She
remained an activist until her last day of her life.
Sarah Libert was a lover
and idealistic human being. She was able to attract
people to herself, and they made friends with her
and assisted her in her cultural and educational
activities.
She created and directed
the 'Sholem Aleichem Women's Organization.' She
helped create the means for the rescued children of
Europe. She was active in creating stipends for
students in a Jewish teacher's seminary, attracting
young people to become Yiddish teachers. She helped
found and maintain the children's garden at the
Sholem Aleichem Folk School. She also was active in
the teachers' seminary.
Sarah Libert did not
have She did not only ask others, but she alone gave
the first, and gave with a generous hand as much as
she could."
L.'s published plays:
1. Sarah L. Libert
The Megillah of Esther
(in five scenes)
("Children's Journal," N.Y., February 1929, pp. 1-9)
2. Sarah L. Libert
Moshe der bafreyer
("Children's Journal," N.Y., April 1929, pp. 6-8)
3. Yehoshua
Dos khanukah lempl
scenes by Sarah L. Libert
("Children's Journal," N.Y., December 1929, pp. 1-2)
4. Sarah L. Libert
Di meyse fun khanukah gelt
(A khanukah shpiel)
("Children's Journal, " N.Y., November 1931, pp.
103)
5. Sarah L. Libert
A shavuous shpiel
("Children's Journal," N.Y., June-July 1932, pp.
3-6)
6. Elma Ehrlich-Levendzsher
Mayn karb
A purim-shpiel
Adapted from the English by Sarah L. Libert
("Children's Journal, N.Y., February 1948, p. 1)
7. Sarah Libert
Der shveygndiker flikhling
(A khanukah-shpiel)
("Children's Journal," N.Y., November 1950, pp.
10-14.)
Sh.E. from her sister
Regina Libert.
-
M. Melamed --
Literarishe notitsn, "Di yidishe velt,"
Philadelphia, 18 September 1933.
-
Lipe Lehrer -- Sarah
leah libert e"h, "Kinder zhurnal," N.Y.,
February 1955.
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