|
Y. Lyubomirski characterizes her as such [1931]:
"Murovane had for the fifth
year, which she worked in the Kharkov theatre, done from
time to time responsible work in which she displayed an
authentic actress-like temperament and certain technical
achievements. She had however no luck for her personage,
which her oysgekumen creations, besides the
mother in "Di letste", almost entirely fallen out of the
repertoire in which she had responsible work: in "Amerikaner
geter", the director of the shakhtyorn, the
worker Mary Barg; in the "Goldener medina" -- Margaret,
in "Beserer mentsh" -- the billion wives (?), Madam
Kompas, in "Babef" -- an old woman.
The last time Murovane
wasn't taken into responsible roles and therefore she
had grown as an actress, very blocked, and then when she
gained attention by playing the mother in "Di letste",
which she deeply observed her tsenishe defarnkeyt
and mastery. That entire naturalness, because she
possessed significant actorial resources -- an
imaginable figure, a pure diction, a steady, bright
voice -- All these can a good director can successfully
exploit for the theatre".
|