Sammy
[Shamai, Gedalyahu]
Urich
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Born on 28 December 1882 in
Lemberg, Eastern Galicia. His father was an employee in
a manufacturing business, then he became independent. He
learned in a cheder and in a yeshiva from R' Shmuel
Kalish. He also finished a folkshul. As a child,
he sang with Cantor Baruch Kinstler. Later, as an adult,
he worked as an employee in
a manufacturing business, then he entered into Gimpel's
chorus, where he was for a year, and in tha time also
cam to act in episodic roles, gaining the attention of
actor and director Akselrad, who engaged him in
Czernowitz, where he debuted in the 1902-03 as "Tlmi" in
"Asha re". From there he toured with Yiddish theatre
across Germany and entered into Krakow's Yiddish theatre
under the direction of Ebel, later with Zelig Schorr,
Tanentsop and then five years with Ber Hart across the
Galician province.
During the First World War
he began again to act with Akselrad in Czernowitz, but
had to cut it short because he was taken in to military
service, and at first, in 1918, when he returned, he
acted for two-and-a-half years in Krakow (direction:
Moses Jacob), again a year with Hart in Lemberg, and
since January 1929 with Yungvirt in Vienna. In the Fall
of 1929, one time in the "Second Avenue Theatre", he
performed in Lateiner's "Dos yidishe harts", due to
union conditions he used to act in the non-union
theatres, and later three years returned to Galicia.
About this Jonas Turkow
wrote:
"The Urichs had the
possibility to remain in America. They had, |
however, been drawn to the
home of their only daughter Pepi (Perele). In this
family there was a strong connection from one to the
second. We occasionally collaborated with the Urichs
during our productions in Lemberg, and also had with
warmth, shown sincere love. They went around the
streets, hungry, demolished, opgeshlisene, afraid
to stay in their home because they hadn't any
ilebnsrekht cards, they had spent nights in cellars,
on the streets, until they were in the beginning of
1943, captured by the Germans, and killed by them".
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"Lexicon of
Yidish Theatre", New York, 1931, Vol. I, pp.
14-45.
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Jonas Turkow -- "Farloshene
shtern", Buenos Aires", 1953, Vol. 2, pp. 80-88.
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